Changes

This is the original album version. Its vinyl mix has a slightly different crossfade with A single synthesizer layer fades in from the end of "[[La Mer]]," ascending in pitch until it is joined by a deep bass melody, double by synthesizers and providing accompaniment for an acoustic guitar melody. These synthesizers and the bassline stop for Reznor's softly-sung vocals, still accompanied by the guitar melody and joined with new, sea-like atmospheric loops.The lyric, "all of this for you,"The climax occasions the re-entry of the song ("And I descend from gracesynthesized bassline and atmosphere layers, which build as the second verse is sung with harmony...") shares These eventually open up to the climax, featuring a chord progression driving bassline and melody layers of wordless vocal melodies shared with "[[And All That Could Have Been (song)|And All That Could have Been]]," and Reznor's yelled lyrics, which connect the climax into the coda section. Beginning with a new guitar melody, atmosphere layers cycle in as a drum pattern enters and Reznor sings the final lyrics. The drums eventually give way to the fading repetition of atmosphere loops. The song's vinyl mix has a slightly different crossfade with "La Mer."The climax of the song ("And I descend from grace...")