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<blockquote>''<p>"Trent was anything but brain addled at the time we were completing the Fragile. He was brilliant and feverishly recording and mixing in 3 rooms at the same time to complete the project on time for its scheduled release. What he had realized was that he'd created a work that was much longer than was practical to release and that wasn't quite hanging together the way he had hoped when he created its individual parts. Remember, there are thousands of bits of music and lyric that went into this record and they were recorded asynchronously. So he called me for help. Luckily, I had just come off another project and was able to head to New Orleans immediately - supposedly for a few days. ''<br/p> <brp>''My job was to take all of this work and reorganize it to more practically and effectively tell the story that originally generated all these bits. Sort of like editing a film. Trent had "shot" more than he needed and it wasn't hanging together the way he wanted. But he was also tied to the other studios recording and mixing while this was going on so he needed someone he trusted to come in and take over the "editing" process and help his "film" hang together better. ''<br/p> <brp>''And it was a totally thrilling process. We had SO much stuff and so much to say but we needed to tighten it up and review the pacing etc. So we were literally working round the clock for what turned out to be weeks until we finally nailed it and I was able to go home. ''<br/p> <brp>''I loved working with him - and his whole team in fact - on this project. It just increased my respect for him as an artist and a man."''</p><p>— Bob Ezrin</p></blockquote>