Changes

This is the original version. Fading in with a synthesizer whine and various manipulations and reversed effects in 5/4, Reznor's spoken vocals are accompanied by clocks ticking, a synthesized bass loop and chromatic piano improvisation, the latter a feature shared with "[[The Way Out Is Through]]." The layers ebb and flow through the first half of the track, eventually crossfading with a distorted full band coda, similar in composition to the muffled ending of "[[The Downward Spiral (song)|The Downward Spiral]]." As the guitar, bassline and drums fade in, Reznor yells over top, eventually joined by loud crowd loops. The entirety of this 3/4 coda fades out and filters down the low and mid frequencies, the high pitches stopping suddenly.