Romanek has said that Reznor was pretty much tortured throughout the shoot, yet he never once complained. Reznor seemed to know that what they were making would be phenomenal and would push the proverbial envelope of the music video format.
Initially, there was a plan to film two versions of the video: an uncensored director's cut, and an edited version for MTV. This idea would save money on editing because of the costs of editing the film that was used. Reznor objected to shooting a censored version, stating that he didn't care whether or not MTV would show the video. MTV would show the video, but not before edits were made. The network censors objected to imagery they felt was blasphemous (a crucified monkey and a crucifix on a nude woman's blindfold), too risqué (Reznor gagged in front of a wall covered with sado-masochistic paraphernalia and writhing from a chain while blindfolded), or too overtly sexual in nature (the nude woman and a diagram of a vulva). Ultimately, the video was edited for MTV, with offending images either blurred or blacked out, zoomed in to avoid objectionable content, or replaced by a screen reading SCENE MISSING. Some innuendo did make it past the censors, such as the shape of the microphone in some scenes, and what the hanging beef carcass appeared to resemble in addition to wings. Despite the heavy editing on MTV, "Closer" would go on to become one of the network's most popular videos in 1994 and 1995. The uncensored director's cut can be seen on the ''Closure'' video as well as the DualDisc re-issue of ''The Downward Spiral.'' It can also be found on a compilation DVD of Mark Romanek's work (''Director's Series Vol.4: The Work of Director Mark Romanek'') along with footage from the making of the video. A further five hours of behind-the-scenes footage eventually surfaced on eBay and was spread around freely by the NIN fanbase.
Since then, "Closer" had been included on many Greatest-Video lists. In 2006, it was voted the greatest video on VH1 Classics' "20 Greatest Music Videos of All Time." It has also been placed in the permanent collection at the Museum of Modern Art in New York City.