Changes

We started by kinda saying fuck guitars and drum. We'd modeled ourselves much more after early sound of Sheffield<ref>[ http://en.wikipedia.org/wiki/Sheffield_(album) Sheffield] is a A 2000 album by Scooter</ref>]...early sequencers being kinda out of sync plugged-in together. Exploring a subtly and restraint and mood which I think is what we did on the record a lot. And it wasn't a violent, Nine-Inch-Nails, ear-ringing assault. It was more about not doing that and leaving space and leaving silence. It feels much more like it has its own identity now, being unpolished and not Pro-Tooled<ref>[A music processing software</ref> ] to death and not hi-fi.