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[[Image:Broken.jpg|thumb|Halo 5 - ''Broken''<br />[http://www.amazon.com/gp/redirect.html?ie=UTF8&location=http%3A%2F%2Fwww.amazon.com%2Fs%3Fie%3DUTF8%26x%3D0%26ref_%3Dnb%5Fsb%5Fnoss%26y%3D0%26field-keywords%3Dnine%2520inch%2520nails%2520broken%26url%3Dsearch-alias%253Daps&tag=thniinnawi-20&linkCode=ur2&camp=1789&creative=390957 Find on Amazon] - [http://rover.ebay.com/rover/1/711-53200-19255-0/1?icep_ff3=9&pub=5574848848&toolid=10001&campid=5336384580&customid=&icep_uq=nine+inch+nails+broken&icep_sellerId=&icep_ex_kw=&icep_sortBy=12&icep_catId=&icep_minPrice=&icep_maxPrice=&ipn=psmain&icep_vectorid=229466&kwid=902099&mtid=824&kw=lg Find on eBay]]]
'''''Broken''''' (also known as '''''[[halo numbers|Halo 5]]''''') is an EP released on September 22nd 1992. Although not technically so, ''Broken'' is usually considered [[Nine Inch Nails]]' second major release after ''[[Pretty Hate Machine]]'' since it consists entirely of new material. The EP was recorded in secret, in order to avoid interference from [[TVT Records]]. It was followed later that year by ''[[Fixed]],'' a companion EP of remixes of the songs on ''Broken.''
==Track listing==
==Inspiration==
The release of ''Broken'' followed on from a major disagreement between Reznor and his record label at the time, [[TVT Records]], and the influence of the conflict is evident in multiple aspects of the record. After the credits in the packaging, a line reads "no thanks: you know who you fucking are" followed by "the slave thinks he is released from bondage only to find a stronger set of chains." This is most likely directed towards TVT Records' Steve Gottlieb, who refused to allow Reznor out of his contract, resulting in a legal battle between the two parties. A direct reference to Gottlieb appears in one of the [[Nine Inch Nails music videos|music videos]] for "Gave Up", where the words "FUCK YOU STEVE" can be spotted on a computer screen.
Trent Reznor has also stated that during the [[Pretty Hate Machine Tour]] the songs grew more aggressive when played by a live band compared to their studio counterparts. Violence on-stage also became a common feature at their shows as a result of the band venting pent-up frustration and anger on their instruments. Consequently, ''Broken'' sounds much more abrasive and harsher with the increased prominence of distorted guitars, amongst other things.
==Audio Texture==
On this EP, there are louder mixes and more distortion on every instrument, including a classic Mellotron MKIV (originally owned by John Lennon), which can be heard most noticeably on the track "Gave Up". Reznor said he wanted the album to be "an abrasive, hard-to-listen-to thing...I wanted to make a record that the first time you hear it you don't like it, but you might want to hear it again, but by the third time it's pretty cool. By the fifth time, you really like it and possibly by the tenth time you're not sick of it and now it all makes sense." In an interview with Guitar Player in 1994[http://www.nin-pages.de/1994_Guitar_Player_April_english.htm] , Reznor elaborated on the EP's unique guitar textures: <blockquote>"Broken, for example, had a lot of that super-thick chunk sound, and almost every guitar sound on that record was me playing through an old Zoom pedal and then going direct into Digidesign's TurboSynth [Macintosh software]. Then I used a couple of key ingredients to make it unlike any 'real' sound."</blockquote>
In an interview with Alternative Press in 1993[http://www.theninhotline.net/archives/articles/manager/display_article.php?id=546], Reznor discussed the writing and instrumentation for ''Broken'':
<blockquote>"I tried doing an album that I actually just wrote on guitar rather than my tried-and-true method of a drum machine and keyboards. So with the exception of 'Happiness in Slavery' all songs were written on guitar. I was gonna make it totally stripped down to guitar, bass and drums but as I started it I realized I could easily fall into another trap. What might sound interesting to me - because I'm not used to it - may sound like a garage band to the world. So we just took the three instruments and sampled 'em, fucked with 'em, processed them. It's kind of overboard, we did go crazy. It's kind of dense, too dense. It's over analyzed - every song has 20 different melodies that you won't hear the first five or ten times you listen, or maybe never."</blockquote>