Changes

[[Image:Fragile_cover_big.jpg|thumb|Halo 14 - ''The Fragile''<br />[http://www.amazon.com/gp/redirect.html?ie=UTF8&location=http%3A%2F%2Fwww.amazon.com%2Fs%3Fie%3DUTF8%26x%3D0%26ref_%3Dnb%5Fsb%5Fnoss%26y%3D0%26field-keywords%3Dnine%2520inch%2520nails%2520the%2520fragile%26url%3Dsearch-alias%253Daps&tag=thniinnawi-20&linkCode=ur2&camp=1789&creative=390957 Find on Amazon] - [http://rover.ebay.com/rover/1/711-53200-19255-0/1?icep_ff3=9&pub=5574848848&toolid=10001&campid=5336384580&customid=&icep_uq=nine+inch+nails+the+fragile&icep_sellerId=&icep_ex_kw=&icep_sortBy=12&icep_catId=&icep_minPrice=&icep_maxPrice=&ipn=psmain&icep_vectorid=229466&kwid=902099&mtid=824&kw=lg Find on eBay]]]'''''The Fragile''''' (also known as '''''[[Halo numbers|Halo 14]]'''''), released on September 21, 1999, is the fourth studio album by [[Nine Inch Nails]]. The album features a rich array of electronic beats, ambient noise, and heavy guitar. While it received critical acclaim from many, it did not receive the commercial success that its predecessor, ''[[The Downward Spiral (halo)|The Downward Spiral]],'' did (attributed variously to the difference in musical climate, and insufficient promotion by [[Interscope Records]]).

The album features a rich array of electronic beats, ambient noise, and heavy guitar. While it received critical acclaim from many, it did not receive the commercial success that its predecessor, ''[[The Downward Spiral (halo)|The Downward Spiral]],'' did (attributed variously to the difference in musical climate, and insufficient promotion by [[Interscope Records]]). Prior to its release, the single ''[[The Day The World Went Away (halo)|The Day The World Went Away]]'' came out on July 20; following ''The Fragile,'' ''[[We're In This Together (halo)|We're In This Together]]'' was released in three parts on December 14. A collection featuring several [[Remixes|remixes]] and new material from ''The Fragile'' was released as ''[[Things Falling Apart]]'' on November 21, 2000.The album was produced by [[Alan Moulder]], though it was originally going to be produced by Rick Rubin.[https://www.mtv.com/news/wmzp4p/star-producer-rick-rubin-signs-on-for-nine-inch-nails-album]

* "The Wretched," "We're in This Together," "Even Deeper," "Pilgrimage," "The Mark Has Been Made," "10 Miles High," "The New Flesh" and "I'm Looking Forward to Joining You, Finally" all do not crossfade as on the CD version, because these songs either end or begin their respective sides

The track list for the double cassette releases of ''The Fragile'' follow the CD track list, save for the insertion of "[[+Appendage]]" onto the end of "Please" on US and EU some other countries' copies. The first tape splits between "Just Like You Imagined" and "Even Deeper," while the second tape splits between either "Please (+ Appendage)" and "Starfuckers, Inc." (most US versions) or "Starfuckers, Inc." and "Complication" (non-.  "+Appendage" is included on all US cassettes and on several other countries', such as Thailand and also Poland. "+Appendage" is listed, but not actually included, in the tracklistings of some US versions)countries' cassettes, such as Europe and South Korea. Other countries''The Fragile'' was cassette releases, such as the final NIN release to be officially issued on cassette. Subsequent albums have been issued on cassette in other countriesPhilippines, Malaysia, and Mexico, omit "+Appendage" entirely, though they are of questionable authenticityfrom both the tracklisting and the tape.

[[Image:FragileInst.jpg|thumb|''The Fragile Instrumental'' Artwork]]''The Fragile Instrumental'' was made available on June 30th , 2015 exclusively via Apple Music. It contained instrumentals of every track, with some also being alternate versions (see the [[Remixes#The_Fragile_Era|remixes]] page for details.) It also contained three previously unheard tracks:*"[[The March]]" (Instrumentalinstrumental)*, "[[Hello, Everything Is Not OK]]" (Instrumentalinstrumental) (a demo of "10 Miles High")*, and "[[Can I Stay Here?]]" (Instrumentalinstrumental) It was released along with ''[[With Teeth (halo)|With Teeth Instrumental]]'', and is exclusive to the Apple Music platform. It is also notable that it contains the first non-cassette version of "+Appendage". "The Frail" and "Pilgrimage" were not included in the playlist posted on Apple Music, but are still available as tracks on the service. ==='It was released along with 'The Fragile: Deviations 1''===[[Image:Fragiledeviations1.jpgWith Teeth (halo)|thumb|''The Fragile: Deviations 1'' ArtworkWith Teeth Instrumental]]On December 16, 2016 an expanded instrumental version of ''The Fragile'' on 180 gram vinyl was announced. Entitled ''The Fragile: Deviations 1'', it will ship in early 2017 and will contain over an hour of unreleased material. <blockquote>A very special limited edition of ''The Fragile'' is now available for preorder in the NIN store. This unique version of NIN’s classic record was created by Trent Reznor and Atticus Ross and features 37 instrumental, alternate and unreleased tracks, many of which have never been heard before anywhere.<br>Reznor explains, “The Fragile occupies a very interesting and intimate place in my heart. I was going through a turbulent time in my life when making it and revisiting it has become a form of therapy for me. As an experiment, I removed all the vocals from the record and found it became a truly changed experience that worked on a different yet compelling level. The Fragile: Deviations 1 represents Atticus and I embellishing the original record with a number of tracks from those sessions we didn’t use before. The result paints a complimentary but different picture we wanted to share.”<br><br>''The Fragile: Deviations 1'' will not be available on any digital services and only available in this format while this limited run lasts.</blockquote>

Side 1A# "Somewhat Damaged" (Instrumental)# "The Day The World Went Away" (Instrumental)# "The Frail" (Alternative Version)# and "The WretchedPilgrimage" (Instrumental)were not included in the playlist posted on Apple Music, but were still available as tracks on the service.

Side 1B#"Somewhat Damaged" (instrumental) - 4:53#"The Day The World Went Away" (instrumental) - 6:19# "[[Missing Places]]The Wretched"(instrumental) - 5:57# "We're In This Together" (Instrumentalinstrumental)- 7:36# "The Fragile" (Instrumentalinstrumental)- 4:46# "Just Like You Imagined" (Alternative Versionalt) - 3:41#"Even Deeper" (instrumental) - 6:17#"No, You Don't" (instrumental) - 3:18#"La Mer" (alt) - 4:55#"The Great Below" (instrumental) - 5:25#"The New Flesh" (alt) - 3:41#"The Way Out Is Through" (instrumental) - 4:27#"Into The Void" (instrumental) - 4:45#"Where Is Everybody?" (instrumental) - 4:54#"The Mark Has Been Made" (alt)- 4:46# "The March" (Instrumentalinstrumental) - 3:42#"Please" (instrumental) - 3:30#"+Appendage" (instrumental) - 3:17#"Can I Stay Here?" (instrumental) - 4:22#"Hello, Everything Is Not OK" (instrumental) - 5:12#"Starfuckers, Inc." (instrumental) - 5:09#"Complication" (alt) - 2:54#"I'm Looking Forward To Joining You, Finally" (instrumental) - 4:18#"The Big Come Down" (instrumental) - 4:04#"Underneath It All" (instrumental) - 3:21#"Ripe (With Decay)" (alt)- 4:34

Side 2A# "Even Deeper" (Instrumental)# "Pilgrimage" (Alternate Version)# "===''[[One Way To Get ThereThe Fragile: Deviations 1]]"''===# "NoOn December 16, You Don2016 an expanded instrumental version of ''The Fragile'' on 180 gram vinyl was announced. Entitled 't" (Instrumental)# "[[Taken]]"'The Fragile: Deviations 1'', it began shipping in June 2017 and contains over an hour of unreleased material.

Side 2B==Sequencing==# "La Mer" (Alternate Version)===For Different Formats===# "The Great Below" (Instrumental)# "[[Not What It Seems LikeTrent Reznor]]" (Instrumental)# "[[White Mask]]"# "The New Flesh" (Instrumental)on the different track sequencing for different formats:

Side 3A<blockquote># "The Way Is Out Through" <p>Hello everybody. I've been doing a lot of European press lately and they've been mentioning the various configurations of 'the fragile' and wondering if there was a reason (Alternate Versionother than to make the hard-core fan buy them all)to have some different tracks on them. <br><br>If you're curious, here's why. We agonized over the sequencing of the record and focused solely on the CD config. as the definitive one. After the decision was made to move to two CDs the problem then became removing tracks to get the right feel and flow. <br><br>Taking the new flesh' off the CD was a tough call because Alan and myself really like the track, but it destroyed the balance and it just didn't fit. <br><br># "Into The Void" When we assembled the cassette, we now had four beginnings and endings to contend with instead of two of each (for the CD) follow? It worked out pretty well just dividing the songs up, but we wanted the A sides of the cassettes to be slightly longer than the B sides (Instrumentalso that when the tape flips over you are not in the middle of the first song on that side). We added the 'appendage' to 'please' to make that work. # "Where Is Everybody?" <br><br>For the vinyl, the decision to move to three discs was based on fidelity. (Instrumentalyou can only fit so many minutes on a side of vinyl before it degrades the sound)# "The Mark Has Been Made" <br><br>So now we are faced with SIX beginnings and endings. Simply splitting the sides up didn't work as well this time so we decided to include the other two tracks we had been considering (Alternate Version'10 miles high' and 'the new flesh')as well as use the full unedited versions of all the other songs on the record. The vinyl sequencing has actually grown on me lately as a viable alternate! -just thought you might want to know…</p> <p>—Reznor [https://www.theninhotline.com/archives/articles/manager/display_article.php?id=780]</p></blockquote>

Side 3B# "[[Was It Worth It?]]" (Instrumental)# "Please" (Instrumental)# "+Appendage" (Instrumental)# "Can I Stay Here?" (Instrumental)# "10 Miles High" (Instrumental) Side 4A# "[[Feeders]]"# "Starfuckers, Inc." (Instrumental)# "Complication" (Alternate Version)# "[[Claustrophobia Machine]]" (Raw)# "[[Last Heard From]]" Side 4B# "I'm Looking Forward to Joining You, Finally" (Instrumental)# "The Big Come Down" (Instrumental)# "Underneath It All" (Instrumental)# "Ripe With Decay" (Instrumental) ===Early Track Sequences===

====Order 1====

====Order 2====

====CD-R====

Note that whilst "[[Anomaly]]" has been confirmed to be the working title of "[[The Way Out Is Through]]", the final titles for "[[Rotation]]" and "[[Stained]]" have not been revealed; "[[Underneath It All]]" may be the final title for the latter, based on its prominent lyrical use of the word.Stated in an interview with the [[Nailed]] Podcast, [[Charlie Clouser]] believes that "Rotation" is an early iteration of "[[The Big Come Down]]", but could not say for certain. ===Bob Ezrin on Album Sequencing===Bob Ezrin posted on [http://www.echoingthesound.org/phpbbx/viewtopic.php?p=1966685&sid=9660ab52e8096b0e71a1bf91d0198514#1966685 ETS] about his experience working on ''The Fragile''. <blockquote><p>Trent was anything but brain addled at the time we were completing the Fragile. He was brilliant and feverishly recording and mixing in 3 rooms at the same time to complete the project on time for its scheduled release. What he had realized was that he'd created a work that was much longer than was practical to release and that wasn't quite hanging together the way he had hoped when he created its individual parts. Remember, there are thousands of bits of music and lyric that went into this record and they were recorded asynchronously. So he called me for help. Luckily, I had just come off another project and was able to head to New Orleans immediately—supposedly for a few days.</p> <p>My job was to take all of this work and reorganize it to more practically and effectively tell the story that originally generated all these bits. Sort of like editing a film. Trent had "shot" more than he needed and it wasn't hanging together the way he wanted. But he was also tied to the other studios recording and mixing while this was going on so he needed someone he trusted to come in and take over the "editing" process and help his "film" hang together better.</p> <p>And it was a totally thrilling process. We had SO much stuff and so much to say but we needed to tighten it up and review the pacing etc. So we were literally working round the clock for what turned out to be weeks until we finally nailed it and I was able to go home.</p> <p>I loved working with him - and his whole team in fact - on this project. It just increased my respect for him as an artist and a man.</p><p>— Bob Ezrin</p></blockquote> 

In a question and answer session with NIN fans, Reznor hinted at the reissue of ''The Fragile'' for early 2010, a statement repeated via the [http://twitter.com/nineinchnails/status/4157519090 official twitter account], calling it an "ultimate reissue." [[Rob Sheridan]] has since mentioned that the project is delayed due to packaging decisions, and as yet there is no new release date. [[Alan Moulder]] has completed a 5.1 surround sound mix for the reissue.[http://recforums.prosoundweb.com/index.php/mv/msg/32698/502417/0/#msg_502417]In a nin.com post about the 2020 Dolby Atmos version of ''[[The Social Network Soundtrack]]'', Reznor hinted at a possible Dolby Atmos version of ''The Fragile'' in the future.

<blockquote>"<p>Yeah, we've done a lot of the work for that. Really what it's come down to is with all the other stuff going on, the Fragile thing in particular, I want to make sure I get it right. You know, we've mixed everything in surround, it sounds amazing, we have a great package ready to go. I just stumbled across 40-or-so demos that are from that era that didn't turn into songs, that range from sound effects to full-fledge pieces of music, and I kind of feel like - something should happen with that.</p> <brp>And I think it has something to do with that package, and I just need the bandwidth to kind of calmly think about it, and decide how much effort I want to devote into that and what to do with it. I have a lot of ideas that could eat up immense amounts of time and I'm trying to weigh out - just think it through. I don't want to pull the trigger on something and go, 'Man, I should have done it in this way.' And I just haven't had a chance to be in a calm place where I can think it through completely and make that decision."[http://www.3news.co.nz/Trent-Reznor-on-40-unreleased-demos-NZ-tour-Gone-Girl-Grammys/tabid/418/articleID/332710/Default.aspx]</p></blockquote>

A vinyl reissue was annouced announced in December 2016and began shipping in August 2017, with further vinyl reissues of the other major NIN releases to follow.[http://www.nin.com/nine-inch-nails-records-reissued-vinyl/]

<blockquote>Trent Reznor and NIN art director [[John Crawford ]] set out to make the “definitive editions” of all the main NIN releases on vinyl. Reznor: “We "We want to present the catalog as it was intended to be, with no compromises. That means a careful remastering of the audio from the original sources, a careful and painstaking recreation of the artwork, pristine materials, some surprises and an insane attention to detail that you probably won’t notice… but it matters to us. No extra bullshit and gimmicks – the “real” records in their truest form available at a reasonable price.”"<br/blockquote>The first three Definitive Editions (''Broken'','' The Downward Spiral'' This edition of the vinyl also comes with a digital download card and a booklet containing photos and ''The Fragile'') are available for preorder now in an essay about the sequencing of the NIN store (shipping spring ’17)album, with the rest to follow in ’17written by Bob Ezrin.</blockquote>

The album was supported by a tour that visited North America, Europe, Australia and Japan. The chaos of earlier tours was beginning to subside and the shows were somewhat more focused on production and good precise performance. During the North American portion of the tour, three tall rectangular screens were lowered mid-set for showing pieces of film. Despite the fact that [[Trent Reznor]] was in the throes of addiction during this tour, it was well-received by fans and critics alike. The [[Fragility 2.0]] tour was filmed and released as ''[[And All That Could Have Been (halo)|And All That Could Have Been]]'' on 2-disc DVD (both Dolby Digital and DTS versions) and VHS in 2002. It was also released as a live CD, at one point combined with a second disc of re-constructed material and new songs called ''[[Still]].'' ==Live==A number of songs from this album [[NIN_songs_never_played_live|have not been played live]], including non-CD tracks "10 Miles High" and "The New Flesh". During the [[Cold And Black And Infinite Tour]] in 2018, several shows teased the possibility of hearing ''The Fragile'' in its entirety, with the first four songs on the album starting the show, but then breaking the sequence with non-''Fragile'' songs.

<p>"There's a general theme to the album of systems failing and [[Things Falling Apart|things sort of falling apart]]. In keeping with the idea of making everything sound a little broken, I chose stringed instruments because they're imperfect by nature. Although it may not sound like it, most of the album is actually guitar - and that includes the orchestral sounds and weird melodic lines. When it came to instruments that I didn't really know how to play - like the ukulele or the slide guitar - we were able to get some really interesting sounds by making the studio the main instrument".</p>

<p>"I wanted this album to sound like there was something inherently flawed in the situation, like someone struggling to put the pieces together. Downward Spiral was about peeling off layers and arriving at a naked, ugly end. This album starts at the end, then attempts to create order from chaos, but never reaches the goal. It’s probably a bleaker album because it arrives back where it starts—[with] the same emotion”emotion. The album begins “Somewhat Damaged” "Somewhat Damaged" and ends “Ripe "Ripe [With Decay]".</p>

* The main melody piano and bassline of "La Mer" is repeated in the intro of reused for "Into The Void", and the bass line is reused on the entire track. A similar but much slower The piano melody motif is also played at the end of "We're In This Together"at a slower tempo.* The piano melody of in "The Frail" is repeated in the guitar solo of "The Fragile".* The descending wah guitar melody played during the intro of "We're In This Together" is similar to the wah guitar that occurs roughly halfway into "Complication".* The three note motif used in the first part of "The Great Below" is briefly quoted in the ending of "We're In This Together" two semitones down and at a slower tempo. This melody may also be used to end the guitar solo, and may be played on a background synth at the end of the first verse of "The Wretched".* "The Great Below" climax melody and bassline are reused for a quiet bridge in the leftover/outtake "[[And All That Could Have Been (song)|And All That Could Have Been]]".* A sampler keyboard pad created from Reznor's voice is used for "The Frail" and leftover/outtake "[[Leaving Hope]]".* Rapidly ascending, very chromatic guitar riffs are prominently featured in "Somewhat Damaged", "The Day The World Went Away", and "The Wretched".* Mike Garson's piano improvisations are prominently featured on "Just Like You Imagined", "The Way Out is Through", and "Ripe (With Decay)".* The lyric "underneath it all" from "The Way Out is Through" is repeated in and used to title "Underneath It All".* The lyrics "now you know/this is what it feels like" are the refrain for both "The Wretched" and leftover/outtake "[[The Great Collapse]]".

* The guitar melody played during lyrics of "The Great Below" and "Underneath It All" are similarly composed, and both use the intro refrain "I can still feel you".* The lyric "could have been" is prominently used in "The Wretched", "The Great Below" and "And All That Could Have Been".* The mid-song verse of both "WeI're In This Togetherm Looking Forward To Joining You, Finally" is similar to the melody that occurs roughly halfway into and "ComplicationNo, You Don't"use the same lyrical meter.

==FormatsComposition and inspiration==Reznor on In one interview, Alan Moulder stated that the album started out with 173 different pieces or musical ideas, and the cover of [[Gary Numan]]'s "[[Metal]]" had been completed when the album sessions began.[https://www.youtube.com/watch?v=9CrXjiTnwN8] He also stated in a different track sequencing interview that 120 songs were recorded[https://www.soundonsound.com/people/alan-moulder-recording-nine-inch-nails-smashing-pumpkins], so it is likely that some of the 173 pieces were merely seeds of inspiration that were never developed into anything usable. The orginal large amount of song ideas was evidently whittled down before they even reached the demo stage, as Reznor stated in a 2000 interview that he demoed 47 songs, which he then chose from when deciding which ones to write lyrics for different formats.[https://www.theninhotline.com/archives/articles/manager/display_article.php?id=935]

<blockquote><p>"Hello everybody. IDuring a podcast with [[Skinny Puppy]]'s cEvin Key, [[Danny Lohner]] revealed that Reznor was inspired by Tom Waits' ''ve been doing a lot of European press lately and theyBone Machine've been mentioning the various configurations of 'the fragilewhen making ' and wondering if there was a reason (other than to make the hard-core fan buy them all) to have some different tracks on them. <br><br>If you're curious, hereThe Fragile's why. We agonized over the sequencing of the record and focused solely on the CD config. as the definitive one. After the decision was made to move to two CDs the problem then became removing tracks to get the right feel and flow. <br><br>Taking the new flesh' off the CD was a tough call because Alan and myself really like the track, but it destroyed the balance and it just didn't fit. <br><br>When we assembled the cassette, we now had four beginnings that "Somewhat Damaged" was written and endings to contend with instead of two of each (for originally demoed around the CD) follow? It worked out pretty well just dividing the songs up, but we wanted the A sides time of the cassettes to be slightly longer than the B sides "[[The Perfect Drug (so that when the tape flips over you are not in the middle of the first song on that side)|The Perfect Drug]]".[https://www.youtube. We added the com/watch?v=r8AJHQGtnsI] ''appendageBone Machine' to 'please' to make that work. <br><br>For s use of Harry Partch-style found object percussion influenced the vinyl, the decision to move to three discs was based on fidelity. (you can only fit so many minutes unique percussion on a side certain parts of vinyl before it degrades the sound) album.<br><br>So now we are faced Reznor stated in an interview with SIX beginnings and endings. Simply splitting the sides up didn't work as well this time so we decided to include the other two tracks we had been considering ('10 miles highGuitar World'' that My Bloody Valentine and their album ''Loveless'the new flesh'(also produced by Moulder) as well as use were influences during the recording. He also revealed that the full unedited versions majority of all the other songs guitar sounds on the record. The vinyl sequencing has actually grown album were played on me lately as a viable alternate! -just thought you might want to know…"</p> <p>—Reznor Parker Fly guitar, utilizing its piezo pickup.[http://www.theninhotlinenin-pages.net/archives/articlesde/xart1802000_Guitar_World_Juni_englisch.shtmlhtm]</p></blockquote>This guitar sound was also likely used on "The Perfect Drug" and later showed up on some tracks from ''With Teeth''.

===Alan Moulder on Songwriting===

<p>"I got involved pretty early on. Trent had one song written and about 15 demos. He also had about sixty 'bits,' varying from a riff or noise loop to a more evolved drum pattern with a bass or guitar line. We sorted through these and decided which ones to work on. Sometimes we combined drums from one piece with a guitar loop from another and a piano piece from another to make one new track.</p>

A look through David Carson's book ''Fotografiks'' reveals that the top section of the album cover is from a photo of a Öxarárfoss waterfall in Iceland and the bottom section is from a closeup photo of the inside of some kind of seashell. The flowers on the back cover are widely assumed to be a variety of Indian Paintbrush. He explained further in an image on his website:

<p>"packaging for trent reznor, back was going to be the front till the last moment. trent changed it saying it was kinda irritating yet something about it we liked so maybe it fit the music. front cover flowers i shot outside of austin texas. the 1 hour place called and said they messed up and used the wrong chemicals and the film was ruined. i said lemme see em anyway. this is how they came out. cover image is a waterfall in iceland and a seashell in the west indies."</p>

*[[Page Hamilton]] - Guitar (on "No, You Don't") - '''uncreditedunconfirmed'''

*[[Danny Lohner]] - Drum Programming, Ambiance, Synthesizers, Guitar on "Somewhat Damaged", "Just Like You Imagined," "The Great Below," "Complication"

*[[Alan Moulder]] - Producer, Engineer, Mixing

*[[Brian Pollack ]] - Engineer *[[Trent Reznor]] - Vocals, Guitars, Cello, Piano, Synthesizers, Programming, Producer

*Engineering and mix: Alan Moulder<br><br>*Final continuity and flow: Bob Ezrin<br><br>

*Mastering: Tom Baker at Precision Mastering<br><br>Recorded and mixed at [[Nothing Studios]], New Orleans<br><br>

*Being there provided by Jerry Meltzer<br><br>*Nine Inch Nails Live: Charlie Clouser, Jerome Dillon, [[Robin Finck]], Danny Lohner, Trent Reznor<br><br>*Thank you for the continuing belief and support: Steve Berman, Chris Blackwell, David Cohen, Ted Field, Jimmy Iovine, Marc Marot, Jacqueline McPherson, Michael S. Toorock, Tom Whalley<br><br>*Thank you very much: Cemal Adiguezel, Gretchen Anderson, Simon Baeyertz, Roy Bennett, Nancy Berry, Michael Blum, Steve Bottomley, [[David Bowie]], Steve "Coco" Brandon, Tim Buckley, Karen Ciccone, Paul Connolly, Melissa Daigle, Daisy May, Renee Dodson, Duane Fogg, Ernie Fortunato, Ken Friedman, Gerry Gerrard, Erin Gilligan, Robert Hales, Toni Halliday, Page Hamilton, Mike Harris, Dan Hill, Doug Idleman, Stuart Issleib, Leslie Kaufman, Martin Kierszenbaum, Sam Kirby, Paris Langford, John Lewis, Tim Lightfoot, Tiffany Luning, Clint Mansell, Denise Milfort, Tina Montalbano, Mike Montero, Chuck Ortner, Dean Parker, [[Mark Pellington]], Lynn Pompey, Gina Pontius, [[Kim Prevost]], [[Porter Ricks]], Rodney Robertson, Lu Rojas, [[Mark Romanek]], [[Rick Rubin]], Barry Sanders, Trish Schultz, Nick Scott, Winston Simone, Jeff Slippen, Nick Stern, Rick Szekelyi, Tony Thompson, Tomato, Bob Uzzo, Ed Vigueira, Larry Weinstein, Nigel Wiesehan, Angele Ylisastigui, Dawn Zillich, Sioux Zimmerman, Aqua Marine, Brennan's, Clavia, DigiDesign, Jason Lamb and Dod, eMagic, Sean Wilhelmson and EMU Systems, Rob Timmons and Fernandez, Geoff Farr and GSF Agency, Id Software, Jens Gellhaar, K-Paul's, Brad Strickland and Korg/Parker, Tim Godwin and Line 6, Greg Perry, DK Sweet and Mackie, Musician's Friend (New Orleans), Bill Noll at Neoview, N.O. Music Exchange, Nola, Opcode, Pedalman, Solid State Logic, Sound Chek (New Orleans), Waves, Werlein's Music

*[httphttps://vimeowww.youtube.com/65825592 watch?v=HUY_RI5cZ6M "ninetynine" TV Commercial directed by David Carsonaired in 1998]*[httphttps://nineinchnails.tumblrvimeo.com/post/51818928436/software-screenshots-from-the-recording-of-the ''The Fragile'' software screenshots from nin.com65825592 TV Commercial directed by David Carson]*[httphttps://nineinchnailswww.tumblrflickr.com/postphotos/10729782@N03/51370793367albums/the-fragile-production-journals-published-on-the 72157624007552825 David Carson images that were used for ''The Fragile'' production journals from nin.comera releases]

*[httphttps://wwwweb.nincollectorarchive.com/archiveorg/releasesweb/halo_1420031211150843/halo14.htm ''The Fragile'' at nincollector.com]*[http://www.disinfo.com/archive/pages/article/id1983/pg1/index.html Disinfo.com: ''A listener's guide to 'The Fragile''']*[httphttps://www.soundonsound.com/sos/may00/articlespeople/alan.htm -moulder-recording-nine-inch-nails-smashing-pumpkins Sound On Sound: Interview with Alan Moulder with info on the making of ''The Fragile'']*[http://ituneswww.appletheninhotline.comnet/usarchives/playlistarticles/xart183.shtml ''Keyboard'' Magazine article about the-fragile-instrumental/idpl.c1edd8f6d21446efa04f1423f522e2af making of ''The Fragile Instrumental'' at Apple Music]