Changes

Stella Soleil on the track:

<blockquote>Originally, I wanted to sign a record deal with Nothing Records, which was owned by Trent Reznor and his ex-manager John Malm. I wanted to do this because, I was a huge NIN fan, but most importantly because I wanted Trent to produce my record. John Malm told my manager at the time, "Trent Reznor will never work with Sister Soleil. Stella is too pop for him." I was devastated. When I signed with Universal Records, Trent's manager had come out to Chicago, invited especially so that Universal could try to convince him to re-consider. Again, I was told I was too 'pop' for Trent. I did something really stupid and risky then. I took the instrumental track of "a warm place" on the actual release of 'A Downward Spiral' and brought it to Chicago Trax Recording studios and dumped it into pro-tools. I had written lyrics and melody to it, and i just, really wanted to see if it would work. I didn't want anything to jeopardize the possibility of this working (for instance, if my lyrics really were "too pop"), so i broke the words up into a kind of code, pronouncing the wrong syllables, etc. I had been listening to a lot of Hildengard Von Bingen's "A Feather on the Breath of God". A lyric that had stuck with me, on that recording, was "illum tangendo' which is a very old form of Latin for the phrase "touching Him". Without permission, I recorded vocals on top of Trent's release. I didnt play it for anyone, until Bud Carr (the music supervisor for the Stigmata soundtrack) called me asking for submissions for the movie he was working on. I think I just wanted somebody to acknowledge that, working with Trent, could still happen (even though, everyone, was telling me to forget it. i could not forget it.) I submitted 5 tracks to Bud. Ofcourse, he called me enthusiastic about 1 track, "a warm place'. I got scared. I explained that I did not get permission to do this, it was only a kind of test for myself, it was stupid, etc....Bud insisted that he would get it to Trent and he would like it. I got a phone call about a week later, from John Malm saying that Trent wanted to speak to me. It did not sound good. I instantly regretted trying to go around him. About another week after that, Trent called me, and I remember spilling an entire gallon of milk on myself and the hardwood floors in my friend's apartment as I braced for what could have been, and rightfully so, a very bad response. He said "I'm usually an asshole about people trying to use my music, but I was pleasantly suprised when I heard this. Did you want to come to New Orleans to re-cut this?". I spent about 4 days at his studios. I met a really cool guy named "rave" that engineered this version. Trent produced it. I had a blast. I stayed at the famous Pontchatrain Hotel, which sadly, I think, was washed away with Katrina. I cried when I left, but not until I was out of sight. It was a kind of victory and a dream, all rolled into one. A couple years ago, someone told me that he posted it onto his remix site on nin.com. Now that was the coolest thing ever. I think he talks a little about what happened to the track there.</blockquote>

==Live==

"A Warm Place" made its live debut on [[2009/08/23 New York, NY|August 23, 2009]], at Webster Hall in New York City. Much of the song's live incarnation consists of pre-recorded samples, such as the constant tremolo guitar that runs throughout, while the band members man keyboards to recreate some of the other melodies. The song was also performed at the Hollywood Palladium nine days later on [[2009/09/02 Los Angeles, CA|September 2, 2009]].

==Sample==