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adding running times for remixes
===Capital G (Instrumental) ===
'''''Running Time: 4:10'''''
Released by Reznor through his remix.nin.com account, this unmastered version is the almost same as the album cut, save the lack of vocals and a different ending, which drops out all of the layers except the drum beat as it repeats for a few bars before stopping. This is also the structure of the multitracks for this song available on the ''[[Y34RZ3R0R3M1X3D]]'' data DVD.
===Capital G Phones 666 RPM Main Mix===
'''''Running Time: 7:25'''''
This remix is on both the ''Capital G'' promo and ''Y34RZ3R0R3M1X3D.'' It has a more dance-oriented beat and a few dub mix elements. The wind instruments used in the original seem to have disappeared entirely in this mix or were manipulated even more, making them sound nothing like the original instruments used. Some of the vocal treatments are reminiscent of the DFA remix of "[[The Hand That Feeds (song)|The Hand That Feeds]]."
An alternate title for this remix is "Capital G: Epworth Phones 666 Revolutions."
===Capital G Phones 666 RPM mix cleanMix Clean===
Exactly the same as the main mix, but with the words "motherfuckers" and "shit" edited out.
===Capital G Phones 666 RPM clean editClean Edit==='''''Running Time: 5:37'''''
A shorter version of the "Phones 666 RPM clean mix." More information coming soon.
===Capital G switch remixSwitch Remix==='''''Running Time: 5:04'''''
This remix, found on the vinyl edition of ''Y34RZ3R0R3M1X3D'' and the ''Capital G'' promo CD single is very different from the album version. It incorporates a house beat and minimalist lyrics. In addition, the melody is vastly different, sounding somewhat like radio feedback rather than distorted guitars or wind instruments, which were used in the original album version.
===Capital G (Ladytron—Finite Climax Mix)===
'''''Running Time: 5:04'''''
This remix appears on the vinyl edition of ''Y34RZ3R0R3M1X3D.'' It begins with a synth melody very different from what is heard on ''Year Zero,'' and vocals come in shortly thereafter. At the second verse, the vocals are layered under a bass line that acts as a counter-melody to the initial synth melody.