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→Cargo In The Blood
A limited edition art book/multiple containing Mills' art for ''Hesitation Marks'' was released in December 2015. It was priced at $300 and the following information was given on the site set up at cargointheblood.com:
<blockquote>"Nine Inch Nails and long-time collaborator and artist Russell Mills present ''Cargo In The Blood'', a deluxe, limited edition 320-page book collecting all of the works the artist created for Nine Inch Nails’ ''Hesitation Marks'' album. Each volume also includes an original mixed media painting created by Russell Mills specifically for the project. Available exclusively on NIN.com, ''Cargo In The Blood'' is limited to 2000 copies and will be available to order 12/16/15 10am PT."</blockquote>
INCLUDES
ADDITIONAL DETAILS
A 10 minute film about the inspiration and process for the artwork of ''Cargo In The Blood'' as well as Mills' work for ''The Downward Spiral'' was also made available for viewing.
In an interview with ''Vice'' Magazine[https://www.vice.com/amp/en_us/article/pgq8bg/nine-inch-nails-cargo-in-the-blood-interview], Mills explained the relationship between [[Trent Reznor]]'s and his second-hand experience with addiction and how that informed the art for ''Hesitation Marks''/''Cargo In The Blood'':
<blockquote>Vice: How did your (and Trent Reznor’s) proximity to addiction influence ''Cargo In The Blood''?
<br>
Mills: "Greatly. The title gives it away. The works are generally about the conjoined themes of chaos and order, and control and surrender, relating to and reflecting on the traumas that both Trent and I have experienced in our lives, traumas that will inevitably continue to shape our lives.
Trent had battled with alcohol and drugs at first hand, had damaged himself and caused great distress to those around him; that’s the nature and pattern of an addiction. I’d lived with a chronic alcoholic wife for over four years, which meant being a psychological (and occasionally a physical) punching bag. While trying to be a carer I was also trying to protect my son—who was just eight when this vortex of pain and disruption exploded - from her worst excesses.
After over four years of trying to help my wife recover, unfortunately she still wasn’t prepared or wasn’t able to commit to rebuilding our lives or to stay dry. As I couldn't live with the prospect of years of more unpredictability and I had my son to think about, after weeks of painful conversations, we concluded that we’d have to divorce. Given her condition I was awarded custody of our son and while my focus was predominantly on his well being, I was also trying to make sense of what happened. A few years of shell shocked dumbness followed in which I was unable to create anything; I didn’t see any point. Nothing interested me; everything seemed trivial, irrelevant. I shut out the external world as my mind internalized, fixed on what had happened.
In our early conversations towards what became the ''Hesitation Marks'' album, Trent stated that he felt that the material he was working on was allowing him to find some kind of equilibrium in response to his years of alcohol and drug-driven anger, frustration, shame and pain. The tracks that were in process were in embryonic form, but he sensed their promise. He was feeling his way, suspecting, hoping that something new and positive and vital might emerge. I had reached a similar point.
As we discussed the ''Hesitation Marks'' project, we talked a great deal about our respective traumatic “black” years, and discovered disturbing similarities in numerous aspects of our experiences, both during and post-crises, that came into alignment. We had both reached a point at which we had understood the whys and wherefores of addiction and the appalling fallout that follows. We had both come to accept certain truths, some unpalatable, and while we were both still angry and confused, we had found coping mechanisms that were allowing us to function with renewed focus and purpose. We were both attempting to harness the energy of the massed conjoined complicated emotions were still churning in us both.
''Hesitation Marks'' was a cathartic route out of that mire for both of us. For me, the call from Trent to say that the project was proceeding, that a new NIN album was going to happen, was the green light that I needed to really let all this emotion out. The project gave me a license to explore all the ideas about chaos and order and control and surrender that had been buzzing in my head for years. The result is the ''Cargo In The Blood'' collection, a project of reclamation and regeneration."</blockquote>
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