Changes

About "Future Echoes" (used for the inner cover):

<blockquote>"At the time of this commission I had also been reading and researching into ideas about transformation, transmutation and regeneration. I was interested in how a line of willow poles used as fence posts could come back to life to start growing as trees again (Rupert Sheldrake). Similarly Seamus Heaney’s poem ‘Requiem for the Croppies’ which relates to a true event in Irish history filled me with tears and wonder. In it Heaney describes how during the early part of the 20th century a group of farmers to the North of Dublin gathered in a field to march on Dublin to protest at yet more draconian taxes being imposed by the occupying English powers. The English had been tipped off and were in place hiding around the field where the farmers met. The farmers were ambushed, shot down and buried in a mass grave. The farmers had in their pockets barley seeds to chew on during the proposed march. The following year a crop of barley sprang up out of the grave where they had fell. At the back of my mind were also thoughts of the rebuilding of Europe after the 2nd World War, physically and politically. I remembered seeing film footage of women in Berlin, scavenging for bricks in the ruins, creating a daisy chain, passing bricks from one to the other in order to rebuild new houses out of the debris.

I was also interested in how organic matter can provide clues for past lives and past events. One hair from a human head carries enough DNA for that person to be identified. Similarly our teeth, which, after death, survive longer than any other part of our bodies, are carriers of intimate details of past lives.

The piece I made focuses on teeth and their associative potential. A row of teeth is embedded in flows of salt crystals. Salt corrodes all but gold and glass; it is destructive as well as preservative."</blockquote>