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The "Gibby" referred to is most likely Gibby Haynes, formerly of The Butthole Surfers and Revolting Cocks.
==Peter Christoperson on the ''Broken Movie''==
In an interview with ''The Wire'' magazine[https://www.thewire.co.uk/in-writing/interviews/sleazy-peter-christopherson-unedited], Peter Christopherson explained how the movie came about and what his thoughts were on it:
<blockquote>'''What was the story behind the video for Broken? I heard that Reznor asked you to ‘do your worst’, so to speak.'''
After I’d made a couple of videos for them that were relatively conventional in the early 90s, Trent phoned me and said, Would I make the heaviest video ever made? So stupidly, of course, I said, “Yes I’d be delighted” and proceeded to do just that.
Coil had already done some remixes of Nine Inch Nails and they’d been used in ''Seven'', the famous horror movie. So I was on pretty good terms with the guys and we put together a compilation for the ''Broken'' album of which the culmination was a track called “Gave Up”. Basically the video was what I intended to be a comment on the existence of snuff movies and people’s obsession with them.
And I did it without regard for MTV and what was showable and not showable, because that’s what he asked me to do. But when the video was finally assembled, the record company thought they would get into all sorts of shit if they actually released it, but Trent leaked a couple of copies to a video shop in Ventura Boulevard or somewhere, who subsequently made what I understand to be in excess of $20-30,000 bootlegging and selling copies of copies. So because Nine Inch Nails were in the charts with no video, it became one of the first viral distribution products, so loads and loads of Nine Inch Nails fans copied their copies and distributed them, because the net wasn’t really working for video then.
Because everyone was making bad dubs of bad dubs, what I considered at the time to be pretty obvious clues that this was a fake and actually making a comment about those things, were lost by the bad quality. So unfortunately a lot of people, especially kids, started to believe that it was a real snuff movie. By the time a VHS has been copied ten times you are hard pressed to make out any detail at all. You can just about see that there is a guy with a rubber mask and a chainsaw appearing to cut someone’s legs off, but you can’t really see anything else: you can’t see all of those clues that would actually tell you it was no more real than Saw 2 or Hostel 28.
So in a way I regret… it was never my intention to bring harm to people. I do think people can be harmed seeing things, especially unexpectedly, that put them in the position of empathising with someone being tortured and murdered. That’s a hard thing to watch. I guess it’s interesting that it’s achieved a certain notoriety. But to me, because truth has always been pretty important to me, I think that the way Hollywood presents horror as a Grand Guignol a sort of Theatre Of The Absurd, actually encourages kids to go, “Yeah, that was fucking awesome man, you could see their eyes popping out”, and whatever.
I think that does humanity a disservice because that suggests that you can be horrible and it’s a joke, whereas with what I’m trying to do, if it’s addressing the issue of man’s cruelty to man, there’s no doubt that my intention is to point out how appalling those things are, and what they look like for real. I don’t know what the statistic is of how many people get killed on American TV every second but it’s something horrendous. But because all of those deaths are shown in a plastic way, they don’t prepare people for what death is really like. Really, people in the West have no clue about the reality of death.</blockquote>
==External Links==