Changes

no edit summary
| album = ''[[The Inevitable Rise And Liberation Of NiggyTardust!]]''
| length = 3:15
| versions = Black History Month<br>Black History Month (Instrumental)
| live = N/A
}}'''"Black History Month"''' was produced and co-composed by [[Trent Reznor]] for [[Saul Williams]]' third studio album, ''[[The Inevitable Rise And Liberation Of NiggyTardust!]].''
==Saul Williams on "Black History Month"==
''"This song started out as a collaboration between me and Thavius. When we got home from our first tour with Trent, we recorded 8 or 9 songs in about a week. Thave programmed a series of beats that I hand picked and then would take home and write to each night. Two songs from what Thave and I did together, I later introduced to Trent for him to help make sense of. The other is DNA. This song, like most on the album was written in my bedroom. That red faced man in the album art is the painting over my bed. Interestingly, Angelbert (the painter behind all the album art) transported a bunch of paintings to my house in a big cardboard box and instructed me to rip the box apart and use it to group the paintings in batches of 13. When I openned the box I found that man painted on the inside. I can't believe he was gonna have me rip that up. Anyway, back to the song. The openning line "Can u feel it? Nothing can save u?" is a quote from a classic hip hop song by Biz Markee. Any hip hop head would know that instantly. In hip hop culture its a sign of respect to quote or reference another artist or song. That third section/breakdown came about when Trent asked me to add some noises over the beat for some variation. I had been listening to a lot of Parliament/Funkadelic and Talking Heads and felt pretty "experimental" that day as I began layering the beat with slurred words..."''
==Trent Reznor on "Black History Month"==
''"A Thavius track originally titled "Banana Peels". Probably my favorite track on the record and one I pushed to be first. Also one I had very little to do with musically aside from some arrangement work. This was always the first track I'd play for people from this project to freak them out. Try it on nice speakers REAL loud and you'll see what I mean."''
==Song Credits==
* Music by Thavius Beck (1001:1 Publishing/ASCAP) and Trent Reznor (Leaving Hope)
===Black History Month===
This version is heard on ''The Inevitable Rise And Liberation Of NiggyTardust!.''
 
===Black History Month (Instrumental)===
This version was leaked on a internal industry promo CD.
 
==Saul Williams on "Black History Month"==
<blockquote>This song started out as a collaboration between me and Thavius. When we got home from our first tour with Trent, we recorded 8 or 9 songs in about a week. Thave programmed a series of beats that I hand picked and then would take home and write to each night. Two songs from what Thave and I did together, I later introduced to Trent for him to help make sense of. The other is DNA. This song, like most on the album was written in my bedroom. That red faced man in the album art is the painting over my bed. Interestingly, Angelbert (the painter behind all the album art) transported a bunch of paintings to my house in a big cardboard box and instructed me to rip the box apart and use it to group the paintings in batches of 13. When I openned the box I found that man painted on the inside. I can't believe he was gonna have me rip that up. Anyway, back to the song. The openning line "Can u feel it? Nothing can save u?" is a quote from a classic hip hop song by Biz Markee [sic]. Any hip hop head would know that instantly. In hip hop culture its a sign of respect to quote or reference another artist or song. That third section/breakdown came about when Trent asked me to add some noises over the beat for some variation. I had been listening to a lot of Parliament/Funkadelic and Talking Heads and felt pretty "experimental" that day as I began layering the beat with slurred words...</blockquote>
 
==Trent Reznor on "Black History Month"==
<blockquote>A Thavius track originally titled "Banana Peels". Probably my favorite track on the record and one I pushed to be first. Also one I had very little to do with musically aside from some arrangement work. This was always the first track I'd play for people from this project to freak them out. Try it on nice speakers REAL loud and you'll see what I mean.</blockquote>
==Lyrics==
12,083

edits