Changes

no edit summary
| album = ''[[The Inevitable Rise And Liberation Of NiggyTardust!]]''
| length = 3:54
| versions = Tr(n)igger<br>Tr(n)igger (Instrumental)
| live = N/A
}}'''"Tr(n)igger"''' was produced and co-arranged by [[Trent Reznor]] for [[Saul Williams]]' third studio album, ''[[The Inevitable Rise And Liberation Of NiggyTardust!]].''
 
==Saul Williams on "Tr(n)igger"==
''"This is the last song I wrote before going into the studio to mix the album. Welcome to the Terrordome is easily my fave PE track. The line that I sampled actually comes before my favorite part of the song, the little break with the high pitched James Brown guitar riff. When I made that loop it scared the shit out of me. I danced to it for hours, too excited to even write to it. When I did, the lyrics and chorus came immediately. The 2nd verse has my favorite line of the album, "would Jesus Christ come back American? What if he's Iraqi and here again?". Then came the break, which I immediately attributed to the fact that I had been working with Trent for a year and he had made me a better song writer. I remember being very scared of the power of this song. I knew how it made me feel as a black man. I tried to pay special attention to how I crafted it musically and lyrically so that it would invoke dancing rather than violence. But seriously, to me, this song is hard as hell. I cry everytime I get to that breakdown. And then I bounce back and feel like I can fly."''
 
==Trent Reznor on "Tr(n)igger"==
''"This track arrived on my doorstep while we were mixing the record. Saul had been working on this and when I heard it I knew it needed to be included. We had two rooms set up at Chalice where we mixed the record. Alan was mixing in the control room while I was set up with another rig in the small "live" room finessing various tracks and whatnot. The relationship between Saul and myself had grown to a place by this time where we trusted each other's sensibilities and could get things accomplished without second-guessing everything too much. And by the way, for those wondering how much Saul did vs myself in terms of the music - every track so far on the record is virtually unchanged from the way I first heard them aside from some finessing."''
==Song Credits==
===Tr(n)igger===
This version is heard on ''The Inevitable Rise And Liberation Of NiggyTardust!.''
 
===Tr(n)igger (Instrumental)===
This version was leaked on a internal industry promo CD.
 
==Saul Williams on "Tr(n)igger"==
<blockquote>This is the last song I wrote before going into the studio to mix the album. Welcome to the Terrordome is easily my fave PE track. The line that I sampled actually comes before my favorite part of the song, the little break with the high pitched James Brown guitar riff. When I made that loop it scared the shit out of me. I danced to it for hours, too excited to even write to it. When I did, the lyrics and chorus came immediately. The 2nd verse has my favorite line of the album, "would Jesus Christ come back American? What if he's Iraqi and here again?". Then came the break, which I immediately attributed to the fact that I had been working with Trent for a year and he had made me a better song writer. I remember being very scared of the power of this song. I knew how it made me feel as a black man. I tried to pay special attention to how I crafted it musically and lyrically so that it would invoke dancing rather than violence. But seriously, to me, this song is hard as hell. I cry everytime I get to that breakdown. And then I bounce back and feel like I can fly.</blockquote>
 
==Trent Reznor on "Tr(n)igger"==
<blockquote>This track arrived on my doorstep while we were mixing the record. Saul had been working on this and when I heard it I knew it needed to be included. We had two rooms set up at Chalice where we mixed the record. Alan was mixing in the control room while I was set up with another rig in the small "live" room finessing various tracks and whatnot. The relationship between Saul and myself had grown to a place by this time where we trusted each other's sensibilities and could get things accomplished without second-guessing everything too much. And by the way, for those wondering how much Saul did vs myself in terms of the music - every track so far on the record is virtually unchanged from the way I first heard them aside from some finessing.</blockquote>
==Lyrics==
12,084

edits