Changes

This version was leaked on a an internal industry promo CD.

That afternoon he comes to me with a track he made that day with him singing my words as the chorus. I was very impressed. That night, instead of watching [[NIN]] perform after my set, which I usually did, I wrote and recorded a poem over the track. It was pretty cool and lasted as a demo up until the point of mixing the album. When we pulled it up to mix, Trent was trying to find a nice way to say, "this shit is too poemy" just as I was thinking the same thing. I instantly started singing song lyrics that I actually wrote for Amethyst Rock Star over the track and it worked perfectly. I asked [[Alan Moulder|Alan]] to mute the old vocals and set up a mic. It took a second to come up with the chorus. I took a cue from my daughter who always likes to write songs with three snare hits (like in Surrender on the self titled) and put WTF where the hits would go. I felt like the chorus was the most poppy thing I'd ever written (Niggy Pop?) and so thought "what the fuck" was the perfect way to add some edge back to the song. The second half of the track came about from the beat CX programmed for Black Stacey for our live shows. He heard the orginal track, War at Once, and instantly suggested incorporating those drums. They fit beautifully. That day in the studio I asked Trent to let the beat ride and tried a few things over it. I had been listening to a lot of the ''Joshua Tree '' album, especially With or Without You, and was really feeling a need and desire to just belt out some chants. I saw Trent get excited which is usually followed by him softly implying that I should leave the room so he could start playing with my vocals. Fine with me. When I came back I added the harmonies and we all cheered. It was our first day of mixing and we had completly transformed a song we felt ok about into something we really loved.</blockquote>