Changes

The album also gained popularity through word-of-mouth and developed an underground following. Reznor quickly hired a band for touring with [[Skinny Puppy]], [[The Jesus and Mary Chain]] and [[Peter Murphy]], including guitarist and future Filter/Army of Anyone frontman [[Richard Patrick]]. The headlining [[Hate Tour|Hate]] and [[Sin Tour|Sin]] tours followed, as well as a slot on the first [[Lollapalooza Tour]]. Nine Inch Nails' live set was notorious for louder, more aggressive versions of the studio songs, and also for destroying their instruments at the end of sets. Reznor preferred using the heel of his boots to strip the keys from keyboards. Taking inspiration from the photographer photography of Jeffrey Silverthorne, who did NIN's early press shots, the band would douse themselves in cornstarch before taking the stage.[http://www.nin-pages.de/artwork_phm.htm] This practice would continue through the [[Fragility]] tour.

I thought it was going to be a simple job, but the fact that we didn’t have the source art made it actually quite a project. Between my various failed experiments at recreating the art photographically, the meticulous way I ended up doing it by hand, and the amount of finessing it took to find the right presentation, it was actually quite a bit of work, and we had a pretty abrupt deadline for it. All things considered I’m pleased with the way it turned out.[http://sleevage.com/nin-pretty-hate-machine/]</blockquote>