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<blockquote>At that time I was listening to a lot of Drum 'n' Bass and Jungle and stuff. And I think that's the most I've ever seen external influence come out in my own music. And it was a transition period, that's what I want to stress, it was time when I was feeling out what I wanted to do artistically and given the liberation of working within the context of a soundtrack, it's not like a major work. I always treated that as an area to be freer and try things. I'm glad it was in that context. There was never any consideration to include that on [''[[The Fragile (halo)|The Fragile]]'']. It really was an area where I was feeling out the landscape to see what I wanted to do. [http://theninhotline.net/archives/articles/manager/display_article.php?id=827]</blockquote>
On a BBC Radio One 1 show, Reznor said:
<blockquote>The only thing I think I really don't like that much, is The Perfect Drug song. It was one of those things where you have a week, do a track for a movie, and the mindset you kind of adapt in that situation, or I did, was "Let's go in and experiment and see what happens, and if it's not - whatever comes out of it, it's not the end of the world." And I think what came out of it, married with a bloated over-budget video... just feels like the most... the least thing that I would play to somebody if they said "play me, y'know, the top 100 songs you've written." That probably wouldn't be in the top 100. But uh, I'm not cringing about it, but it's not my favorite piece. [https://www.theninhotline.net/archives/articles/display/88]</blockquote>
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