A Warm Place

Album:The Downward Spiral

Length:3:22

Tempo:{{{BPM}}} BPM

Versions:A Warm Place

Live:N/A

"A Warm Place" is the tenth track on The Downward Spiral.

Interpretation

"A Warm Place" is regarded as the turning point of the album. It is the only instrumental, discounting the practically inaudible spoken words at the beginning. Its tranquil and soothing nature highly contrasts with the other tracks on the album, which all contain loud and angry parts.

The previous track, "Big Man With A Gun," is arguably the most chaotic on the album. The narrator asserts his power and domination over samples of tortured screams. The last instance of "nothing can stop me now" in the album is shouted, and this is perhaps his last straw (no pun intended). At just over a minute and a half, "Big Man With A Gun" suddenly collapses, and "A Warm Place" starts immediately.

The narrator has begun a drastic change in point of view. He experiences a moment of clarity to truly consider his situation in a way unhindered by intoxicants, or perhaps enhanced by them. Backed by the melancholy piano tune, he realizes who he has become and what he has done. He had known subconsciously before, and he had voiced the varying attributes (the title of "The Becoming" being the most obvious example), but he had not yet come to grips with the real consequences of his character and actions, which differ from the extreme views he had expressed previously. "Warm" contrasts with the cold, indifferent quality of machines, which are sampled throughout the album. This "warm place" relate to the womb or to the rise in body temperature during intercourse, where life begins. A melody in "A Warm Place" is an inverted version of that used in "Closer" and "The Downward Spiral."

With the breathing straw sounds at the end of "A Warm Place," it segues into the next song, "Eraser," which begins as an instrumental. The straw sounds possess a sort of nasty texture, designating a change in tone. The heavy percussion beats permeate throughout: this is the rhythm required by his train of thought. As more sound layers are added, the narrator becomes increasingly disturbed by what he had realized in "A Warm Place". He begins an inner-battle on the only consequences that matter now: what he should do next. He denies certain arguments and favours others, evident by the periodic addition of more layers of mocking guitars. Briefly, the instrumental calms down a bit, and he lists the obvious in minimalistic terms ("[verb] me... [verb] you"). At the end, he has chosen a strongly desire for an end to the dilemma ("kill me"). A remix of "Eraser" being called "Eraser (denial; realization)" is evidence of this.

"A Warm Place" and "Eraser" may be considered two acts to one song, with the former being critical and necessary for the latter. When listening to the album, one should avoid skipping "A Warm Place" to abruptly listen to "Eraser."

"Crystal Japan" resemblance

Trent Reznor has been accused of ripping off the theme of "A Warm Place" from David Bowie's 1980 single "Crystal Japan". He did state that Bowie's album Low (1977) had the biggest influence in the making of The Downward Spiral,[1] though Low does not contain "Crystal Japan." Some have claimed that what is heard is deceiving; that from a musical theory point of view, there exist significant differences between the structures of the two melodies.

Song Credits

• Production: Flood and Trent Reznor
• Mixing Engineer: Alan Moulder

Appearances

Halos

• The Downward Spiral
• Closure

Soundtracks

• Natural Born Killers

"A Warm Place" was included on the soundtrack to the 1994 Oliver Stone film Natural Born Killers. In the movie itself, the song served as a backdrop to the showdown between Mickey Knox and Jack Scagnetti after the first part of the prison riot scene.

Versions

A Warm Place

This version is on both The Downward Spiral and Closure.

Live

"A Warm Place" has never been played live.