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[[Image:Piggy_Organ_Motif_Tab.JPG|The motif as played by the organs on "Piggy."]]
The chaotic, extended drum solo/outro was happenstance. Reznor explained more in a 1994 interview with ''Keyboard Magazine''[https://www.theninhotline.com/archives/articles/manager/display_article.php?id=548]:
<blockquote>"For that part, I had a rigid, weird sixteenth-note pattern going. A kit was set up in the dining room, and I was playing along, fuckin' around, testing out the drums. I'd go in the other room, start the machine, run back in, put the headphones on, and play along. I couldn't hear it very good and I was way out of meter. So I just played as insanely as I could so I could hear how the drums were going to sound on tape. When I listened back, I thought, 'Hey, that's pretty cool. Someday I'll come back and fix it.' And of course, I never did. That was it. That was the final take. A lot of what I do is accidental. I luck into things. I think that due to laziness---not coming back and fixing things---they end up becoming more interesting. My instinct is to repair, edit. 'I'll get to it later'. But then I'll get so used to hearing it, I'll end up leaving it alone."</blockquote>
===Piggy (Instrumental)===