Difference between revisions of "Mr. Self Destruct"
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| versions = Mr. Self Destruct<br>Mr. Self Destruct (Instrumental)<br>The Art of Self Destruction, Part One<BR>Self Destruction, Part Two<br>Self Destruction, Part Three<br>Self Destruction, Final<br>The Beauty of Being Numb (Section A) | | versions = Mr. Self Destruct<br>Mr. Self Destruct (Instrumental)<br>The Art of Self Destruction, Part One<BR>Self Destruction, Part Two<br>Self Destruction, Part Three<br>Self Destruction, Final<br>The Beauty of Being Numb (Section A) | ||
| − | | live = [[Self Destruct Touring Cycle]]<br>[[With Teeth Fall Arena Tour]] through [[Wave Goodbye Tour]]<br>[[Cold And Black And Infinite Tour]] | + | | live = [[Self Destruct Touring Cycle]]<br>[[With Teeth Fall Arena Tour]] through [[Wave Goodbye Tour]]<br>[[Cold And Black And Infinite Tour]] through present |
| − | }}'''"Mr. Self Destruct"''' is the first track on the 1994 release ''[[The Downward Spiral (halo)|The Downward Spiral]].'' Its loud and abrasive verses and choruses as well as the contrast in the quiet bridge and use of samples combine to make a comprehensive introduction to the sonic characteristics of the entire album. | + | }}'''"Mr. Self Destruct"''' is the first track on the 1994 release ''[[The Downward Spiral (halo)|The Downward Spiral]].'' Its loud and abrasive verses and choruses as well as the contrast in the quiet bridge and use of [[samples]] combine to make a comprehensive introduction to the sonic characteristics of the entire album. |
===Song Credits=== | ===Song Credits=== | ||
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In the April 1994 issue of ''Guitar World'', Reznor was asked about the circumstances behind the guest appearance of guitarist Belew: | In the April 1994 issue of ''Guitar World'', Reznor was asked about the circumstances behind the guest appearance of guitarist Belew: | ||
| − | <blockquote>His name just popped into my head. I called my manager and two days later he was here. As it turned out he was already in L.A., working on something else... The songs were pretty much arranged, but we thought, "What would it be like if we got someone in here who could really play his ass off? Let's see what happens." We basically told Adrian, "Just play whatever you want and we'll piece it together however we see fit. Maybe stuff from one song will fit into another." We did about six or seven songs with four or five passes each. One time we'd tell Adrian something like, "Concentrate on a rhythmic part." Another time, "Think in terms of countermelody." Or, "Think in terms of no pitch at all, just noise." He pulled out a bunch of great sounds that he never gets to use. Flood and I were definitely intimidated when he first came up. We were sitting in the living room of Sharon Tate's house--our studio--with this guy who's played with Paul Simon and David Bowie. The first song we played him was "Mr. Self Destruct"--the hardest-sounding one we had. I said, "Play whatever you want." He said, "What key is it in?" And I had to say, "Uh, I don't remember. It's probably in E." It's a real fast track. For a moment he thought, "What the fuck?" Then he kicked in and it was just the most awesome thing.</blockquote> | + | <blockquote>His name just popped into my head. I called my manager and two days later he was here. As it turned out he was already in L.A., working on something else... The songs were pretty much arranged, but we thought, "What would it be like if we got someone in here who could really play his ass off? Let's see what happens." We basically told Adrian, "Just play whatever you want and we'll piece it together however we see fit. Maybe stuff from one song will fit into another." We did about six or seven songs with four or five passes each. One time we'd tell Adrian something like, "Concentrate on a rhythmic part." Another time, "Think in terms of countermelody." Or, "Think in terms of no pitch at all, just noise." He pulled out a bunch of great sounds that he never gets to use. Flood and I were definitely intimidated when he first came up. We were sitting in the living room of Sharon Tate's house--[[Le Pig|our studio]]--with this guy who's played with Paul Simon and [[David Bowie]]. The first song we played him was "Mr. Self Destruct"--the hardest-sounding one we had. I said, "Play whatever you want." He said, "What key is it in?" And I had to say, "Uh, I don't remember. It's probably in E." It's a real fast track. For a moment he thought, "What the fuck?" Then he kicked in and it was just the most awesome thing.</blockquote> |
==Appearances== | ==Appearances== | ||
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==Versions== | ==Versions== | ||
===Mr. Self Destruct=== | ===Mr. Self Destruct=== | ||
| − | This is the original album version. It begins with a restructured sample from the film ''THX 1138,'' and immediately picks up with very fast and aggressive verses and choruses, Reznor's casual vocal delivery contrasting with the noisy cacophony around it. The bridge is in stark contrast: quiet, subdued and atmospheric, it is the only section of the song to feature bass. A return to cacophony for the final verse and choruses gives way to manipulated and looped guitar noises made by Adrian Belew, which cuts off suddenly and leads into "[[Piggy]]". Its call-and-response style verses are later recalled by those of "[[While I'm Still Here]]". | + | This is the original album version. It begins with a restructured [[samples|sample]] from the film ''THX 1138,'' and immediately picks up with very fast and aggressive verses and choruses, Reznor's casual vocal delivery contrasting with the noisy cacophony around it. The bridge is in stark contrast: quiet, subdued and atmospheric, it is the only section of the song to feature bass. A return to cacophony for the final verse and choruses gives way to manipulated and looped guitar noises made by Adrian Belew, which cuts off suddenly and leads into "[[Piggy]]". Its call-and-response style verses are later recalled by those of "[[While I'm Still Here]]". |
===Mr. Self Destruct (Instrumental)=== | ===Mr. Self Destruct (Instrumental)=== | ||
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'''''Running Time: 5:06''''' | '''''Running Time: 5:06''''' | ||
| − | The first part of this track is a version of "Mr. Self Destruct" played in reverse and remixed by NIN, Beavan and Pollack. The second part is an entirely new composition created by | + | The first part of this track is a version of "Mr. Self Destruct" played in reverse and remixed by NIN, Beavan and Pollack. The second part is an entirely new composition created by Aphex Twin, which eventually crossfades with the opening straw blowing sounds from "[[Eraser]]." |
====Song Credits==== | ====Song Credits==== | ||
* Section A: recreated by Nine Inch Nails (Chris Vrenna, Robin Finck, Danny Lohner, Charlie Clouser, Trent Reznor) with Sean Beavan and Brian Pollack | * Section A: recreated by Nine Inch Nails (Chris Vrenna, Robin Finck, Danny Lohner, Charlie Clouser, Trent Reznor) with Sean Beavan and Brian Pollack | ||
| Line 125: | Line 125: | ||
==External Links== | ==External Links== | ||
*[http://nothing.nin.net/int20.html Guitar World 4/94] interview transcript | *[http://nothing.nin.net/int20.html Guitar World 4/94] interview transcript | ||
| + | *[https://archive.org/details/remix-nin-com-audio-02950 "Mr. Self Destruct" (Instrumental) at archive.org] | ||
{{Succession box | {{Succession box | ||
Latest revision as of 04:12, 15 April 2024
Mr. Self Destruct (Instrumental)
The Art of Self Destruction, Part One
Self Destruction, Part Two
Self Destruction, Part Three
Self Destruction, Final
The Beauty of Being Numb (Section A)
With Teeth Fall Arena Tour through Wave Goodbye Tour
Cold And Black And Infinite Tour through present
"Mr. Self Destruct" is the first track on the 1994 release The Downward Spiral. Its loud and abrasive verses and choruses as well as the contrast in the quiet bridge and use of samples combine to make a comprehensive introduction to the sonic characteristics of the entire album.
Contents
- 1 Song Credits
- 2 About
- 3 Appearances
- 4 Versions
- 5 Live
- 6 Lyrics
- 7 External Links
Song Credits
- Production: Flood and Trent Reznor
- Mixing engineer: Alan Moulder
- Texture generating guitars: Adrian Belew
About
The song's title seems to be one of several references to Soft Cell, a cited influence for NIN, as a song of the same name opens their 1984 album This Last Night in Sodom. Other references may include the reference to their album The Art of Falling Apart in the remixes titled "The Art of Self Destruction" and NIN covering "Memorabilia" and "Sex Dwarf," though the latter remains unreleased and/or incomplete.
In the April 1994 issue of Guitar World, Reznor was asked about the circumstances behind the guest appearance of guitarist Belew:
His name just popped into my head. I called my manager and two days later he was here. As it turned out he was already in L.A., working on something else... The songs were pretty much arranged, but we thought, "What would it be like if we got someone in here who could really play his ass off? Let's see what happens." We basically told Adrian, "Just play whatever you want and we'll piece it together however we see fit. Maybe stuff from one song will fit into another." We did about six or seven songs with four or five passes each. One time we'd tell Adrian something like, "Concentrate on a rhythmic part." Another time, "Think in terms of countermelody." Or, "Think in terms of no pitch at all, just noise." He pulled out a bunch of great sounds that he never gets to use. Flood and I were definitely intimidated when he first came up. We were sitting in the living room of Sharon Tate's house--our studio--with this guy who's played with Paul Simon and David Bowie. The first song we played him was "Mr. Self Destruct"--the hardest-sounding one we had. I said, "Play whatever you want." He said, "What key is it in?" And I had to say, "Uh, I don't remember. It's probably in E." It's a real fast track. For a moment he thought, "What the fuck?" Then he kicked in and it was just the most awesome thing.
Appearances
Halos
- The Downward Spiral
- Further Down The Spiral
- Closure (DVD)
Seeds
Films
- Man On Fire (2004)
Versions
Mr. Self Destruct
This is the original album version. It begins with a restructured sample from the film THX 1138, and immediately picks up with very fast and aggressive verses and choruses, Reznor's casual vocal delivery contrasting with the noisy cacophony around it. The bridge is in stark contrast: quiet, subdued and atmospheric, it is the only section of the song to feature bass. A return to cacophony for the final verse and choruses gives way to manipulated and looped guitar noises made by Adrian Belew, which cuts off suddenly and leads into "Piggy". Its call-and-response style verses are later recalled by those of "While I'm Still Here".
Mr. Self Destruct (Instrumental)
Running Time: 4:14
Released by Reznor through his account at remix.nin.com, this unmastered instrumental version does not include the opening sample, and its ending guitar noise loops run several seconds longer.
The Art of Self Destruction, Part One
Running Time: 5:41
This remix appears on Further Down The Spiral. In contrast with the vocals prominent in the original, a re-recorded vocal in a quiet and whispered style is used. In fact, most of its non-linear structure builds using elements of the quiet bridge.
Song Credits
- Recreated by Nine Inch Nails (Chris Vrenna, Robin Finck, Danny Lohner, Charlie Clouser, Trent Reznor) with Sean Beavan and Brian Pollack
Self Destruction, Part Two
Running Time: 5:37
This remix, also on Further Down The Spiral, features the guitar work by Adrian Belew and samples "Time" by David Bowie.
Song Credits
- Remixed by J. G. Thirlwell at the Room of Doom, Unique Studios, NYC for Ectopicents
- Engineered by Rob Sutton and Jim Janik
Self Destruction, Part Three
Running Time: 3:28
This version is on the international edition of Further Down The Spiral in place of Part Two, and follows the original structure of "Mr. Self Destruct" with only minor changes in the mix and the removal of the sample and concluding guitar scramble.
Song Credits
- Manipulation: J. G. Thirlwell
Self Destruction, Final
Running Time: 9:52
This is the last remix on the international edition of Further Down The Spiral. It also features the guitar by Adrian Belew and samples David Bowie, in particular the lyric "wanking" repeated many times, originally from Bowie's "Time."
Song Credits
- Remixed by J. G. Thirlwell at the Room of Doom, Unique Studios, NYC for Ectopicents
- Engineered by Rob Sutton and Jim Janik
The Beauty of Being Numb
Running Time: 5:06
The first part of this track is a version of "Mr. Self Destruct" played in reverse and remixed by NIN, Beavan and Pollack. The second part is an entirely new composition created by Aphex Twin, which eventually crossfades with the opening straw blowing sounds from "Eraser."
Song Credits
- Section A: recreated by Nine Inch Nails (Chris Vrenna, Robin Finck, Danny Lohner, Charlie Clouser, Trent Reznor) with Sean Beavan and Brian Pollack
- Section B: created by Aphex Twin
Live
"Mr. Self Destruct" made its live debut on August 27, 1994. Often used to open shows during the later Self Destruct tours, its sample intro was used only long enough to count in the song, and the opening with the full band following it was extended by 16 instrumental bars while Reznor and stage crew pulled apart the scrim covering the front of the stage. During the 2006 Live: With_Teeth winter tour and the Year Zero Warm-Up Tour, Alessandro Cortini joined the rest of the band at the front of the stage playing guitar. The 2009 Wave Goodbye Tour arrangement saw a synthesized ambient introduction surround manipulations of the THX 1138 sample before jumping into the first verse. During the Cold And Black And Infinite Tour, the studio version's looped guitar noise ending was recreated.
Lyrics
I am the voice inside your head And I control you
I am the lover in your bed And I control you
I am the sex that you provide And I control you
I am the hate you try to hide And I control you
I take you where you want to go
I give you all you need to know
I drag you down I use you up
Mr. Self Destruct
I speak religion's message clear And I control you
I am denial guilt and fear And I control you
I am the prayers of the naïve And I control you
I am the lie that you believe And I control you
I take you where you want to go
I give you all you need to know
I drag you down I use you up
Mr. Self Destruct
I am the needle in your vein And I control you
I am the high you can't sustain And I control you
I am the pusher I'm a whore And I control you
I am the need you have for more And I control you
I am the bullet in the gun And I control you
I am the truth from which you run And I control you
I am the silencing machine And I control you
I am the end of all your dreams And I control you
I take you where you want to go
I give you all you need to know
I drag you down I use you up
Mr. Self Destruct
The final line of the quiet third verse is altered on the recording:
I am the need in you for more And I control you
Extra lyrics can be heard in the breakdown:
You let me do this to you I am an exit
External Links
- Guitar World 4/94 interview transcript
- "Mr. Self Destruct" (Instrumental) at archive.org
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