Difference between revisions of "Piggy"
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| length = 4:24 | | length = 4:24 | ||
| BPM = 66 | | BPM = 66 | ||
| − | | versions = Piggy<br>Piggy (Instrumental)<br>Piggy (Nothing Can Stop Me Now)<br>Piggy (''[[Closure]]'')<br>Piggy (''[[And All That Could Have Been (halo)|And All That Could Have Been]]'') | + | | versions = Piggy<br>Piggy (Radio Edit)<br>Piggy (Instrumental)<br>Piggy (Nothing Can Stop Me Now)<br>Piggy (''[[Closure]]'')<br>Piggy (''[[And All That Could Have Been (halo)|And All That Could Have Been]]'') |
| live = [[Further Down The Spiral Tour]] through present | | live = [[Further Down The Spiral Tour]] through present | ||
| − | }}'''"Piggy"''' is the second track from the 1994 album ''[[The Downward Spiral (halo)|The Downward Spiral]].'' It is one of the many songs to include the phrase "[[Nothing Can Stop Me Now]]." | + | }}'''"Piggy"''' is the second track from the 1994 album ''[[The Downward Spiral (halo)|The Downward Spiral]].'' It is one of the many songs to include the phrase "[[Nothing Can Stop Me Now]]." |
| − | ===Meaning | + | The drum solo featured in the last half of the song is actually performed by [[Trent Reznor]] himself. Initially, it was a drum test being used as a placeholder in the song, but he liked it too much to replace it. Evidently, a [[Nine Inch Nails music videos|music video]] was planned for the song, but the idea was scrapped before anything could be attempted.[http://nothing.nin.net/ninfaq.html] |
| + | |||
| + | ===Song Credits=== | ||
| + | *Production: [[Flood]] and Trent Reznor | ||
| + | *Mixing Engineer: [[Alan Moulder]] | ||
| + | |||
| + | ==Meaning== | ||
According to the Filter biography on their official website, former live guitarist [[Richard Patrick]] reportedly received the nickname "Piggy" while in [[Nine Inch Nails]]. According to Patrick's Filter bandmate [[Brian Liesegang]], Reznor was very upset when Patrick left the band and wrote the song "Piggy" about it shortly thereafter[https://www.facebook.com/Filter/photos/a.186150516351/10155799437926352/?type=3&permPage=1]. Patrick gave the story behind his nickname in a 2013 interview[http://www.intravenousmag.co.uk/2013/09/richard-patrick-explains-origins-of.html]: | According to the Filter biography on their official website, former live guitarist [[Richard Patrick]] reportedly received the nickname "Piggy" while in [[Nine Inch Nails]]. According to Patrick's Filter bandmate [[Brian Liesegang]], Reznor was very upset when Patrick left the band and wrote the song "Piggy" about it shortly thereafter[https://www.facebook.com/Filter/photos/a.186150516351/10155799437926352/?type=3&permPage=1]. Patrick gave the story behind his nickname in a 2013 interview[http://www.intravenousmag.co.uk/2013/09/richard-patrick-explains-origins-of.html]: | ||
| − | <blockquote> | + | <blockquote>One evening the day before some studio time with Trent I took a girlfriend to a [[Skinny Puppy]] gig. I was watching the sound check and Ogre was on the mic shouting "WHITE PIGGY" over and over, I found it really funny. When I got back to the studio and we were setting up, I keep doing an impersonation of Ogre and after a few minutes Trent shouted to me "Hey Piggy, shut up and play some chords man!", and the name stuck after that.</blockquote> |
| − | As well, "Piggies" is a song on The Beatles' 1968 self-titled (or 'white') album, a noted influence on Charles Manson, who scrawled the word "pig" in blood on the front door of the Sharon Tate mansion wherein he and his 'Family' killed Tate and several others on August 8, 1969. The mansion was also where Reznor recorded ''The Downward Spiral'' in 1993-4 and Reznor kept the Tate door when he moved to [[Nothing Studios]] in New Orleans. However, Reznor debunked rumors of song connections to the Tate murders in an interview[http://www.nin-pages.de/2003_Metal_Hammer_April_english.htm]: | + | As well, "Piggies" is a song on The Beatles' 1968 self-titled (or 'white') album, a noted influence on Charles Manson, who scrawled the word "pig" in blood on the front door of the [[Le Pig|Sharon Tate mansion]] wherein he and his 'Family' killed Tate and several others on August 8, 1969. The mansion was also where Reznor recorded ''The Downward Spiral'' in 1993-4 and Reznor kept the Tate door when he moved to [[Nothing Studios]] in New Orleans. However, Reznor debunked rumors of song connections to the Tate murders in an interview[http://www.nin-pages.de/2003_Metal_Hammer_April_english.htm]: |
| − | <blockquote> | + | <blockquote>I had "Piggy" written long before it was ever known that I would be in that house. "[[March of the Pigs (song)|March of the Pigs]]" has nothing to do with the Tate murders or anything like that, I’m not going to say what it is about, but it’s not about that. Yeah, the name of the studio being "Pig", that was a definite bad taste joke. It was written on the front door at one time, I’ll admit to that.</blockquote> |
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==Appearances== | ==Appearances== | ||
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==Versions== | ==Versions== | ||
===Piggy=== | ===Piggy=== | ||
| − | Characterized by its very simplistic structure, "Piggy" contains a simple set of drum and other percussion loops with only bass and organ accompaniment, joined by piano and noise loops in the latter half. Though heavily debated, the album version of "Piggy" is the first of several songs on ''The Downward Spiral'' to incorporate the famous "Downward Spiral Motif." While this version of the motif does not contain the final "five note measure" found on other songs such as "[[Closer]]" and "[[The Downward Spiral (song)|The Downward Spiral]]", the structure remains relatively the same. Played by the organs on the second verse, the notes to this short variation of the motif are as follows: | + | Characterized by its very simplistic structure and quasi-jazz style, "Piggy" contains a simple set of drum and other percussion loops with only bass and organ accompaniment, joined by piano and noise loops in the latter half. Though heavily debated, the album version of "Piggy" is the first of several songs on ''The Downward Spiral'' to incorporate the famous "Downward Spiral Motif." While this version of the motif does not contain the final "five note measure" found on other songs such as "[[Closer]]" and "[[The Downward Spiral (song)|The Downward Spiral]]", the structure remains relatively the same. Played by the organs on the second verse, the notes to this short variation of the motif are as follows: |
<br> | <br> | ||
[[Image:Piggy_Organ_Motif_Tab.JPG|The motif as played by the organs on "Piggy."]] | [[Image:Piggy_Organ_Motif_Tab.JPG|The motif as played by the organs on "Piggy."]] | ||
| + | |||
| + | The chaotic, extended drum solo/outro was happenstance. Reznor explained more in a 1994 interview with ''Keyboard Magazine''[https://www.theninhotline.com/archives/articles/manager/display_article.php?id=548]: | ||
| + | |||
| + | <blockquote>For that part, I had a rigid, weird sixteenth-note pattern going. A kit was set up in the dining room, and I was playing along, fuckin' around, testing out the drums. I'd go in the other room, start the machine, run back in, put the headphones on, and play along. I couldn't hear it very good and I was way out of meter. So I just played as insanely as I could so I could hear how the drums were going to sound on tape. When I listened back, I thought, "Hey, that's pretty cool. Someday I'll come back and fix it." And of course, I never did. That was it. That was the final take. A lot of what I do is accidental. I luck into things. I think that due to laziness---not coming back and fixing things---they end up becoming more interesting. My instinct is to repair, edit. "I'll get to it later". But then I'll get so used to hearing it, I'll end up leaving it alone.</blockquote> | ||
| + | |||
| + | ===Piggy (Radio Edit)=== | ||
| + | '''''Running Time: 4:28''''' | ||
| + | |||
| + | This version is full-length, but omits the word "shit". | ||
===Piggy (Instrumental)=== | ===Piggy (Instrumental)=== | ||
| Line 45: | Line 56: | ||
'''''Running Time: 4:02''''' | '''''Running Time: 4:02''''' | ||
| − | "Piggy" | + | Also labeled on promo releases as "Piggy" (Rick Rubin Remix). It features Dave Navarro of [[Jane's Addiction]] on guitar and it [[samples]] "Hot Pants (Bonus Beats)" by Bobby Byrd and "Teenage Lust" (Desdemoana Mix) by [[The Jesus and Mary Chain]] (which also samples "Put Your Love in My Tender Care" by the Fatback Band.) The Jesus and Mary Chain at this time were on Rick Rubin's label. This remix was also featured on 2004's 2nd CD of the 10th Anniversary Deluxe Edition of ''The Downward Spiral.'' Featured first on the [[Dissonance]] tour, it is one of the only remixes ever played live, and was revived for the [[Wave Goodbye Tour|NIN|JA 2009]] tour. |
====Song Credits==== | ====Song Credits==== | ||
*Produced by Rick Rubin | *Produced by Rick Rubin | ||
| Line 59: | Line 70: | ||
==Live== | ==Live== | ||
| − | "Piggy" has become a popular song in Nine Inch Nails live shows, played seemingly on a nearly regular basis. During live shows Reznor will frequently venture into the crowd during this song with a microphone and invite fans to sing along. | + | "Piggy" has become a popular song in Nine Inch Nails live shows, played seemingly on a nearly regular basis since its debut on [[1994/08/27 Rochester, NY|August 27, 1994]]. During live shows Reznor will frequently venture into the crowd during this song with a microphone and invite fans to sing along. Reznor usually sings "hey motherfucking pig" before the line "there's a lot of things that I hoped you could help me understand". |
Reznor performed a new version of "Piggy" on piano with a string quartet at Neil Young's 2006 [[Bridge School Benefit]] concert. This was most likely the inspiration for the "Ghosts Piggy" arrangement that was used in 2008's [[Lights In The Sky Tour]]. It features [[Justin Meldal-Johnsen]] on upright bass and Reznor on shaker and marimba, usually segueing directly from "[[19 Ghosts III]]" via Reznor's shaker playing as it slows from the quicker tempo to match that of "Ghosts Piggy." Its title is sourced from tour setlists. | Reznor performed a new version of "Piggy" on piano with a string quartet at Neil Young's 2006 [[Bridge School Benefit]] concert. This was most likely the inspiration for the "Ghosts Piggy" arrangement that was used in 2008's [[Lights In The Sky Tour]]. It features [[Justin Meldal-Johnsen]] on upright bass and Reznor on shaker and marimba, usually segueing directly from "[[19 Ghosts III]]" via Reznor's shaker playing as it slows from the quicker tempo to match that of "Ghosts Piggy." Its title is sourced from tour setlists. | ||
| Line 91: | Line 102: | ||
==External Links== | ==External Links== | ||
| − | *[ | + | *[https://archive.org/details/remix-nin-com-audio-02951 "Piggy" (Instrumental) at archive.org] |
| − | |||
{{Succession box | {{Succession box | ||
Latest revision as of 20:14, 14 May 2024
Piggy (Radio Edit)
Piggy (Instrumental)
Piggy (Nothing Can Stop Me Now)
Piggy (Closure)
Piggy (And All That Could Have Been)
"Piggy" is the second track from the 1994 album The Downward Spiral. It is one of the many songs to include the phrase "Nothing Can Stop Me Now."
The drum solo featured in the last half of the song is actually performed by Trent Reznor himself. Initially, it was a drum test being used as a placeholder in the song, but he liked it too much to replace it. Evidently, a music video was planned for the song, but the idea was scrapped before anything could be attempted.[1]
Contents
Song Credits
- Production: Flood and Trent Reznor
- Mixing Engineer: Alan Moulder
Meaning
According to the Filter biography on their official website, former live guitarist Richard Patrick reportedly received the nickname "Piggy" while in Nine Inch Nails. According to Patrick's Filter bandmate Brian Liesegang, Reznor was very upset when Patrick left the band and wrote the song "Piggy" about it shortly thereafter[2]. Patrick gave the story behind his nickname in a 2013 interview[3]:
One evening the day before some studio time with Trent I took a girlfriend to a Skinny Puppy gig. I was watching the sound check and Ogre was on the mic shouting "WHITE PIGGY" over and over, I found it really funny. When I got back to the studio and we were setting up, I keep doing an impersonation of Ogre and after a few minutes Trent shouted to me "Hey Piggy, shut up and play some chords man!", and the name stuck after that.
As well, "Piggies" is a song on The Beatles' 1968 self-titled (or 'white') album, a noted influence on Charles Manson, who scrawled the word "pig" in blood on the front door of the Sharon Tate mansion wherein he and his 'Family' killed Tate and several others on August 8, 1969. The mansion was also where Reznor recorded The Downward Spiral in 1993-4 and Reznor kept the Tate door when he moved to Nothing Studios in New Orleans. However, Reznor debunked rumors of song connections to the Tate murders in an interview[4]:
I had "Piggy" written long before it was ever known that I would be in that house. "March of the Pigs" has nothing to do with the Tate murders or anything like that, I’m not going to say what it is about, but it’s not about that. Yeah, the name of the studio being "Pig", that was a definite bad taste joke. It was written on the front door at one time, I’ll admit to that.
Appearances
Halos
- The Downward Spiral
- Further Down The Spiral
- Closure
- And All That Could Have Been (CD/DVD/VHS)
Seeds
Versions
Piggy
Characterized by its very simplistic structure and quasi-jazz style, "Piggy" contains a simple set of drum and other percussion loops with only bass and organ accompaniment, joined by piano and noise loops in the latter half. Though heavily debated, the album version of "Piggy" is the first of several songs on The Downward Spiral to incorporate the famous "Downward Spiral Motif." While this version of the motif does not contain the final "five note measure" found on other songs such as "Closer" and "The Downward Spiral", the structure remains relatively the same. Played by the organs on the second verse, the notes to this short variation of the motif are as follows:
The chaotic, extended drum solo/outro was happenstance. Reznor explained more in a 1994 interview with Keyboard Magazine[5]:
For that part, I had a rigid, weird sixteenth-note pattern going. A kit was set up in the dining room, and I was playing along, fuckin' around, testing out the drums. I'd go in the other room, start the machine, run back in, put the headphones on, and play along. I couldn't hear it very good and I was way out of meter. So I just played as insanely as I could so I could hear how the drums were going to sound on tape. When I listened back, I thought, "Hey, that's pretty cool. Someday I'll come back and fix it." And of course, I never did. That was it. That was the final take. A lot of what I do is accidental. I luck into things. I think that due to laziness---not coming back and fixing things---they end up becoming more interesting. My instinct is to repair, edit. "I'll get to it later". But then I'll get so used to hearing it, I'll end up leaving it alone.
Piggy (Radio Edit)
Running Time: 4:28
This version is full-length, but omits the word "shit".
Piggy (Instrumental)
Running Time: 4:30
Released by Reznor through his remix.nin.com account, this is a vocalless, unmastered version of the album recording. Its ending is also extended by several repetitions of noise loops and the bass riff after the loud drums have faded out.
Piggy (Nothing Can Stop Me Now)
Running Time: 4:02
Also labeled on promo releases as "Piggy" (Rick Rubin Remix). It features Dave Navarro of Jane's Addiction on guitar and it samples "Hot Pants (Bonus Beats)" by Bobby Byrd and "Teenage Lust" (Desdemoana Mix) by The Jesus and Mary Chain (which also samples "Put Your Love in My Tender Care" by the Fatback Band.) The Jesus and Mary Chain at this time were on Rick Rubin's label. This remix was also featured on 2004's 2nd CD of the 10th Anniversary Deluxe Edition of The Downward Spiral. Featured first on the Dissonance tour, it is one of the only remixes ever played live, and was revived for the NIN|JA 2009 tour.
Song Credits
- Produced by Rick Rubin
- Engineered by David Sardy & David Schiffman
- Guitar: Dave Navarro
- Beats: Kim Bullard
Piggy (Closure)
Recorded in bootleg-like quality, this live performance video is featured on the first disc of Closure.
Piggy (And All That Could Have Been)
A professionally recorded live version appears in video and audio on And All That Could Have Been. Reznor gives the microphone away to audience members to sing the "nothing can stop me now" refrain in the latter half of the song, and his ending piano solo segues directly into the performance of "The Frail."
Live
"Piggy" has become a popular song in Nine Inch Nails live shows, played seemingly on a nearly regular basis since its debut on August 27, 1994. During live shows Reznor will frequently venture into the crowd during this song with a microphone and invite fans to sing along. Reznor usually sings "hey motherfucking pig" before the line "there's a lot of things that I hoped you could help me understand".
Reznor performed a new version of "Piggy" on piano with a string quartet at Neil Young's 2006 Bridge School Benefit concert. This was most likely the inspiration for the "Ghosts Piggy" arrangement that was used in 2008's Lights In The Sky Tour. It features Justin Meldal-Johnsen on upright bass and Reznor on shaker and marimba, usually segueing directly from "19 Ghosts III" via Reznor's shaker playing as it slows from the quicker tempo to match that of "Ghosts Piggy." Its title is sourced from tour setlists.
Lyrics
Hey pig
Yeah you
Hey pig piggy pig pig pig
All of my fears came true
Black and blue and broken bones you left me here I'm all alone
My little piggy needed something new
Nothing can stop me now
I don't care anymore
Nothing can stop me now
I just don't care
Hey pig
Nothing's turning out the way I planned
Hey pig there's a lot of things I hoped you could help me understand
What am I supposed to do I lost my shit because of you
Nothing can stop me now
I don't care anymore
Nothing can stop me now
I just don't care
Nothing can stop me now
You don't need me anymore
The last line of the song is not sung in the final album cut.
External Links
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