Difference between revisions of "I Think We're Past That Now"
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| + | {{song | ||
| + | | title = I Think We're Past That Now | ||
| + | | album = ''SHIFT, Bad Hombre, Vol. II'' | ||
| + | | length = 4:50 | ||
| + | | BPM = | ||
| + | | versions = I Think We're Past That Now | ||
| + | | live = None | ||
| + | }}'''"I Think We're Past That Now"''' is the first single off of Antonio Sanchez's album, ''SHIFT, Bad Hombre Volume II''. The track features vocals by [[Trent Reznor ]] and synths by [[Atticus Ross]]. | ||
| + | |||
| + | ==About== | ||
| + | Per Trent Reznor on the official [[Nine Inch Nails]] Discord Channel, | ||
| + | [https://discord.com/channels/968254749252132894/968288406721425458/974692714509635654 #nin-chat]: | ||
| + | <blockquote>Regarding the track w Antonio, we made friends at some film awards events we were both at years ago. I let him know his score for Birdman was undoubtably the year’s best and we stayed in touch. Over lockdown he reached out about a collaboration where I send him a single element that he builds a song around. I wrote some lyrics, Att and I had a synth arpeggio I used as an anchor and I sang whatever felt right against that static synth line, using some of the lyrics written. One take, purely instinctual.<br><br> | ||
| + | We sent the vocal and the synth line off to Antonio and I think I suggested not to “fix” anything - keep it pure. Several months later he sent back what you hear now. We had no idea what to expect or what direction he’d take things and it was cool to hear where he went with it - inserting chord changes, etc. Plus, I’d forgotten what I did so it was a fun listen for us. [[Alan Moulder]] got involved with the mix.</blockquote> | ||
| + | |||
===Song Credits=== | ===Song Credits=== | ||
*Producer: Antonio Sánchez | *Producer: Antonio Sánchez | ||
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But I think i’ve decided | But I think i’ve decided | ||
They don’t work on me<br> | They don’t work on me<br> | ||
| − | |||
And I guess I | And I guess I | ||
should thank you | should thank you | ||
| Line 28: | Line 42: | ||
and letting all that out | and letting all that out | ||
For showing me the way | For showing me the way | ||
| − | To be free | + | To be free<br> |
Sweeping broad strokes | Sweeping broad strokes | ||
With my lathe of heaven | With my lathe of heaven | ||
| Line 34: | Line 48: | ||
every last trace | every last trace | ||
this is a new place | this is a new place | ||
| − | for just me and you | + | for just me and you<br> |
I’m tired | I’m tired | ||
aren’t you? | aren’t you? | ||
| Line 44: | Line 58: | ||
it plays when i’m sleeping | it plays when i’m sleeping | ||
(Which I think is all the time now) | (Which I think is all the time now) | ||
| − | but i hear it all | + | but i hear it all<br> |
you know i don’t really | you know i don’t really | ||
not anymore | not anymore | ||
| Line 52: | Line 66: | ||
if that’s the way it is now | if that’s the way it is now | ||
i will adapt | i will adapt | ||
| − | i have mutated | + | i have mutated<br> |
listening is overrated | listening is overrated | ||
| − | and unnecessary | + | and unnecessary<br> |
| − | But I think we’re past that now | + | But I think we’re past that now<br> |
We have all the time in the world | We have all the time in the world | ||
Waiting for something to happen | Waiting for something to happen | ||
| − | Waiting | + | Waiting<br> |
Just you and me | Just you and me | ||
And nothing else matters | And nothing else matters | ||
Because ive decided | Because ive decided | ||
There is nothing else but | There is nothing else but | ||
| − | You and me | + | You and me<br> |
We have all the time in the world | We have all the time in the world | ||
| − | We have all the time in our world | + | We have all the time in our world<br> |
Time keeps on slippin' | Time keeps on slippin' | ||
Into the future | Into the future | ||
Latest revision as of 23:53, 15 May 2022
"I Think We're Past That Now" is the first single off of Antonio Sanchez's album, SHIFT, Bad Hombre Volume II. The track features vocals by Trent Reznor and synths by Atticus Ross.
About
Per Trent Reznor on the official Nine Inch Nails Discord Channel, #nin-chat:
Regarding the track w Antonio, we made friends at some film awards events we were both at years ago. I let him know his score for Birdman was undoubtably the year’s best and we stayed in touch. Over lockdown he reached out about a collaboration where I send him a single element that he builds a song around. I wrote some lyrics, Att and I had a synth arpeggio I used as an anchor and I sang whatever felt right against that static synth line, using some of the lyrics written. One take, purely instinctual.
We sent the vocal and the synth line off to Antonio and I think I suggested not to “fix” anything - keep it pure. Several months later he sent back what you hear now. We had no idea what to expect or what direction he’d take things and it was cool to hear where he went with it - inserting chord changes, etc. Plus, I’d forgotten what I did so it was a fun listen for us. Alan Moulder got involved with the mix.
Song Credits
- Producer: Antonio Sánchez
- Lyricist: Trent Reznor
- Vocals: Trent Reznor, Antonio Sánchez
- Synthesizer: Atticus Ross
- Drums: Antonio Sánchez
- Keyboards: Antonio Sánchez
- Guitars: Antonio Sánchez
- Bass: Antonio Sánchez
- Mixer: Alan Moulder
- Producer: Antonio Sánchez
Lyrics
I’m not really interested in your point of view I can hear Sound coming out of them But I don’t seem to be able To comprehend I can feel Their bullets fly through me But I think i’ve decided They don’t work on me
And I guess I should thank you By the way, for helping me To open my head and letting all that out For showing me the way To be free
Sweeping broad strokes With my lathe of heaven paint right over every last trace this is a new place for just me and you
I’m tired aren’t you? Really tired I can hear it Hear it calling Like a drumbeat Calling it plays when i’m sleeping (Which I think is all the time now) but i hear it all
you know i don’t really not anymore i think i’ve passed the point of rationality and that’s ok if that’s the way it is now i will adapt i have mutated
listening is overrated and unnecessary
But I think we’re past that now
We have all the time in the world Waiting for something to happen Waiting
Just you and me And nothing else matters Because ive decided There is nothing else but You and me
We have all the time in the world We have all the time in our world
Time keeps on slippin' Into the future