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Difference between revisions of "On We March"

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Revision as of 18:22, 17 September 2010 (view source)
Seasonsinthesky (talk | contribs)
(New page: {{expand}} {{song | title = On We March | album = ''The Social Network Soundtrack'' | length = Unknown | versions = On We March | live = N/A }} '''"On We March"''' is a track from ''[...)
 
Revision as of 20:59, 17 September 2010 (view source)
Seasonsinthesky (talk | contribs)
(→‎On We March: description)
Newer edit →
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==Versions==
 
==Versions==
 
===On We March===
 
===On We March===
−
This is the original version.
+
This is the original version. Beginning with a synthesized beat loop, synthesized bass soon enters, followed by a low-register piano melody. A distant, wailing synth soon accompanies as a second piano motif, higher in pitch, takes over. When the bass and then piano stop, faint atmospherics ruminate beneath the beat, soon joined by the returning bass riff, synth whine and piano. The return of the second piano motif is joined by distorted, quiet, fast guitar sustains, matching the synth whine. A third piano motif follows as the guitar's final chord fades out, and once the bass riff stops, the drum loop repeats several times, stopping at the end of the phrase to finish the piece.
  
 
[[Category:Related to NIN]][[Category: NIN Songs]]
 
[[Category:Related to NIN]][[Category: NIN Songs]]

Revision as of 20:59, 17 September 2010


Album:The Social Network Soundtrack
Length:Unknown
Tempo:{{{BPM}}} BPM
Versions:On We March
Live:N/A


"On We March" is a track from The Social Network Soundtrack, written by Trent Reznor and Atticus Ross.

Its first appearance was on the free sampler download for The Social Network.

Contents

  • 1 Song Credits
  • 2 Appearances
  • 3 Versions
    • 3.1 On We March

Song Credits

Written by Trent Reznor and Atticus Ross

Appearances

  • The Social Network Soundtrack

Versions

On We March

This is the original version. Beginning with a synthesized beat loop, synthesized bass soon enters, followed by a low-register piano melody. A distant, wailing synth soon accompanies as a second piano motif, higher in pitch, takes over. When the bass and then piano stop, faint atmospherics ruminate beneath the beat, soon joined by the returning bass riff, synth whine and piano. The return of the second piano motif is joined by distorted, quiet, fast guitar sustains, matching the synth whine. A third piano motif follows as the guitar's final chord fades out, and once the bass riff stops, the drum loop repeats several times, stopping at the end of the phrase to finish the piece.

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