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Difference between revisions of "Hand Covers Bruise"

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Revision as of 08:13, 18 September 2010 (view source)
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Revision as of 19:36, 18 September 2010 (view source)
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'''"Hand Covers Bruise"''' is a track from ''[[The Social Network Soundtrack]]'', written by [[Trent Reznor]] and [[Atticus Ross]]. Its tempo is 65 BPM according to the MP3 tags.
 
'''"Hand Covers Bruise"''' is a track from ''[[The Social Network Soundtrack]]'', written by [[Trent Reznor]] and [[Atticus Ross]]. Its tempo is 65 BPM according to the MP3 tags.
  
−
Its first appearance was as the No Piano version on ''The Social Network's'' official website as background music in the form of a streaming MP3 at 256kbps.
+
Its first appearance was as the No Piano version on ''The Social Network's'' official website as background music in the form of a streaming MP3 at 256kbps. Later, the site was updated to play the original Hand Covers Bruise.
  
 
==Song Credits==
 
==Song Credits==

Revision as of 19:36, 18 September 2010


Album:The Social Network Soundtrack
Length:4:33
Tempo:{{{BPM}}} BPM
Versions:Hand Covers Bruise
Hand Covers Bruise, Reprise
Hand Covers Bruise (No Piano)
Live:N/A


"Hand Covers Bruise" is a track from The Social Network Soundtrack, written by Trent Reznor and Atticus Ross. Its tempo is 65 BPM according to the MP3 tags.

Its first appearance was as the No Piano version on The Social Network's official website as background music in the form of a streaming MP3 at 256kbps. Later, the site was updated to play the original Hand Covers Bruise.

Contents

  • 1 Song Credits
  • 2 Appearances
  • 3 Versions
    • 3.1 Hand Covers Bruise
    • 3.2 Hand Covers Bruise, Reprise
    • 3.3 Hand Covers Bruise (No Piano)

Song Credits

Written by Trent Reznor and Atticus Ross

Appearances

  • The Social Network Soundtrack

Versions

Hand Covers Bruise

This is the original version.

Hand Covers Bruise, Reprise

This is a reprise of the original.

Hand Covers Bruise (No Piano)

This is the only known version. Beginning quietly with a mid-pitched drone that twinkles across the stereo field, a second layer soon joins in, this one shimmering much like one of the layers at the beginning of "Just Like You Imagined." As higher-pitched drones fade in and out, synthesized bass hits enter intermittently. Once the bass hits stop and the drones hit a disharmonic apex, they peter out to silence.

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